Category Archives: Reviews

ARCHIVE REVIEW: Happy-Go-Lucky

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Happy-Go-Lucky
Directed by: Mike Leigh
Written by: Mike Leigh
Starring: Sally Hawkins, Eddie Marsan, Alexis Zegerman, and Karina Fernandez

Impossible would be one way to describe Poppy (Sally Hawkins), the flamboyantly optimistic center of Mike Leigh’s Happy-Go-Lucky. With that one word, you can take her as impossibly happy, annoying, or over the top.  She is all of these things and more, as you and she both learn during the course of this off-beat life lesson comedy.

Hawkins and Leigh both approach this complicated woman with true zest and unapologetic heart.  This performance is a work of art inspired by a terrific actress and this director’s unique method.  Leigh casts his movies with only story in mind, and then works with his actors to craft improvised moments and write out the actual screenplay.

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REVIEW: Harry Potter and the Deathly Hallows: Part 1

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Harry Potter and the Deathly Hallows: Part 1
Directed by: David Yates
Written by: Steve Kloves (screenplay), J.K. Rowling (novel)
Starring: Daniel Radcliffe, Emma Watson, Rupert Grint, and Ralph Fiennes

And so it begins to end.  Almost ten years after Harry Potter, his friends, his enemies, and his journey began lighting up the silver screen with J.K. Rowling’s magical prose, billions have been made, and countless fans have been enraptured.  The Potter franchise will always be known first as a literary milestone, as it well should be.  To their credit though, these movies aren’t half-bloody bad.

Guiding this now well-known journey to the finish line is the steady artistic hand of director David Yates, who has been with the series since the fifth film.  Giving Hogwarts the dark tonal shift necessary to keep up with the ever-darkening plot was a task he more than lived up to.  In the fifth and sixth films, the setting is another character in the movie.

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REVIEW: Due Date

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Due Date
Directed by: Todd Phillips
Written by: Alan R. Cohen, Alan Freedland, Adam Sztykiel, & Todd Phillips
Starring: Robert Downey Jr., Zach Galifianakias, Michelle Monaghan, and Jamie Foxx

Watching Zach Galifianakias’ Ethan Tremblay, an aspiring actor, act out a scene given to him by Peter Highman (Robert Downey Jr.)with  amateurism and then turn it into an emotionally-charged turn reminded me of Mulholland Dr. The comparisons with that 2001 masterpiece and this forgettable buddy comedy should end there, but they don’t.  A lot of Todd Phillips’ latest is a hallucinatory road trip filled with drugs, car wrecks, and bizarre tonal changes.  Take my advice, stick with David Lynch.

Phillips could’ve done anything after he sailed away with the box office last summer with The Hangover.  Instead, he decided to recycle his use of Galifianakias as the awkward, sympathetic idiot and pair him with Robert Downey Jr for a road movie based on Plains, Trains and Automobiles.  It’s an appealing match-up ripe with potential, almost none of which is utilized.  The two actors at the center were almost given too much freedom to be themselves, letting their personalities fill in the (many) blanks the script left out both plot-wise and on the laughing front.

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REVIEW: A Solitary Man

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A Solitary Man
Directed by: Brian Koppelman & David Levien
Written by: Brian Koppelman
Starring: Michael Douglas, Jenna Fischer, Susan Sarandon, and Danny DeVito

You see him in the rear-view mirror, but he’s not looking back.  His eyes look stubbornly ahead at an open highway as his life is under construction.

Those eyes and that face belong to Michael Douglas, who in A Solitary Man plays Ben Kalmen, a disgraced degenerate of a character not unlike those that many other aging actors have done in the past few years.  A once-wealthy Baby Boomer taken from his pedastal of pleasure and placed in a rapidly swirling drain is a popular story when Oscar season rolls around.  Jeff Bridges and Mickey Rourke did it to their own ends, and now Douglas does it to his own.

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ARCHIVE REVIEW: V for Vendetta

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V for Vendetta
Directed by: James McTeigue
Written by: Andy & Larry Wachowski (screenplay), Alan Moore (graphic novel)
Starring: Natalie Portman, Hugo Weaving, John Hurt, and Stephen Rea

You can’t blame Alan Moore for not wanting his name put on adaptations of his graphic novels.  It all began with the atrocious adaptation of The League of Extraordinary Gentlemen, and the tradition carried on with the below-average take on his most renowned work, Watchmen.  In between those two garbage heaps though, one of his graphic novels was given justice.  That movie was V for Vendetta (300 was just pretty.)

Though the Wachowski Brothers switch the focus of the novel to represent restrained rebellion against government rather than all-out anarchy, the movie still moves along with a purposeful pace and terrific action sequences.  Moore was still outraged at their nerve, and again, you can’t really blame him.  Unlike the other adaptations though, this one was made with more than a cash-in in mind.

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REVIEW: Secretariat

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Secretariat
Directed by: Randall Wallace
Written by: Mike Rich (screenplay), William Nack (book)
Starring: Diane Lane, John Malkovich, Dylan Walsh, and Margo Martindale

Apparently Seabiscuit and The Blind Side weren’t enough.  According to Disney, we needed at least one more historically sugar-coated “impossible true story.”  Something savory for the whole family, with perfectly timed and safe one-liners and plot points that the company has had on repeat since it started doing live action movies.

Of course, when this company has a lack of creativity and innovation, they simply write a check.  This gives them access to the best filmmaking tools at their disposal to make this pile of garbage.  The race footage in Secretariat is amazingly well-done and even a little bit exhilarating.  It’s too bad once the horses stop, the movie does too.

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REVIEW: Hereafter

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Hereafter
Directed by: Clint Eastwood
Written by: Peter Morgan
Starring: Matt Damon, Cécile De France, Frankie McLaren, and George McLaren

As it turns out, exploring the issue of aging is best done behind the camera (stars of Red, take note.)  Clint Eastwood’s dark, pensive new film finds this busy director staying busy and still addressing the issues everyone else his age stops and spends months on.

So, what does happen when we die?  Eastwood doesn’t know, and be thankful he doesn’t pretend to either, though this is still a confident, masterfully directed film.  The overly-spiritual moments conveyed in the trailer simply don’t do it justice.

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REVIEW: Red

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Red
Directed by: Robert Schwentke
Written by: Jon Hoeber & Erich Hoeber (screenplay), Warren Ellis & Cully Hammer (graphic novel)
Starring: Bruce Willis, Mary Louise-Parker, John Malkovich, and Helen Mirren

How do you confront aging?  Many don’t, avoiding the fact that they’re retired with hobbies, community service, or a condo in Florida.  The aging agents of Red charge straight ahead with guns blazing.

If this movie were to be described in one way, it would have to be an adolescent revenge fantasy aimed at Baby Boomers.  It’s for every mid-life-crisis-stricken adrenaline junkie who wants to make the whipper-snappers pay for looking at them like they’re unhip.  Of course, since this is a big-budget Hollywood action film with A-list names, there’s something everyone will enjoy, even if none of it is anything new or even good.

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ARCHIVE REVIEW: Atonement

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Atonement
Directed by: Joe Wright
Written by: Christopher Hampton (screenplay), Ian McEwan (novel)
Starring: Keira Knightley, James McAvoy, Saoirse Ronan, and Vanessa Redgrave

Atonement isn’t a time capsule for your grandparents.  If you’re looking for the lavish period drama with the costumes as the stars, it’s gone with the wind.  This movie, yet another adaptation of a well-received if faded from memory book, is a love story for the modern age; that is to say, a pretty damn depressing one.

The movie starts off on a perfect 45-minute grace note, setting up the passionate exchange between Robbie (James McAvoy) and Cecilia (Keira Knightley).  Cecilia is a wealthy daughter of an affluent family, Robbie is not.  The thing that separates this fairly common class clash is bitter jealousy, brought along in the form of the innocent young Briony (Saoirse Ronan).

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REVIEW: I Am Love

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I Am Love
Directed by: Luca Guadagnino
Written by: Luca Guadagnino
Starring: Tilda Swinton, Flavio Parente, Edoardo Gabbriellini, and Alba Rohrwacher

Amid the beautiful interiors, finely prepared meals, and meticulously planned out wardrobes, a human element emerges.  I Am Love, the beautifully written, filmed, and acted drama from Luca Guadagnino, is obsessed not only with its elegant, finely tuned surface, but the emotions that boil just beneath it as well.

The age of the horrific Katherine Heigl rom-com doesn’t exist yet in this film, which chronicles the Recchis,  a wealthy Italian family, and the Russian black sheep who married into it at the turn of the millennium.  Every day, Emma (Tilda Swinton) must suit up in a differently colored, yet similar-looking dress and perform the functions of an everyday aristocrat.

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