BEST PICTURE NOMINEE: The Social Network


The Social Network
Directed by: David Fincher
Written by: Aaron Sorkin
Starring: Jesse Eisenberg, Andrew Garfield, Justin Timberlake, and Armie Hammer

There are girls playing PlayStation in the next room, and you’re uploading internet code.  Such are the ways of kings in the 21st century, and one of the keenest insights made in David Fincher’s The Social Network.

As you probably know by now, this is “The Facebook Movie.”  It’s also a potent drama, fueled by stories and themes as ancient as both stories and themes.  Betrayal, identity, and the nature of friendship are all at the core of Aaron Sorkin’s stunning screenplay.  The Sorkin/Fincher pairing, however unlikely, pays off in spades.

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And the winners should be…. 2011 Oscar Predictions (Matt’s Picks)

Best Picture

The Social Network
Black Swan
The King’s Speech
127 Hours
Winter’s Bone
The Kids Are All Right
Inception
Toy Story 3
The Fighter
True Grit

Should Win I’d be the most happy with Social Network, Black Swan, or The Kids Are All Right.  There’s no real Blind Side this year, but The King’s Speech is the least deserving… and it’s also one of the front-runners.
Will Win: The Social Network has a real shot, but so does The King’s Speech. Many have already handed it to King George, but I’m leaning toward King Zuckerberg.
Snubbed: There’s really no Blind Side this year among the nominees. However, over The King’s Speech I would’ve nominated The Ghost Writer, Enter the Void, White Material, Exit Through the Gift Shop, Splice or I Am Love.


Best Director

Tom Hooper- The King’s Speech
Darren Aronofsky- Black Swan
Joel & Ethan Coen- True Grit
David Fincher- The Social Network
David O. Russell- The Fighter

Should Win: Aronofsky.  His direction on Black Swan was the best thing about the movie, which is saying a lot.  Fincher is also great, but so many other elements of Social Network would’ve worked on their own if not as well.  You can’t really say that about Black Swan.
Will Win: Fincher.  Even if The Social Network doesn’t walk away with the night’s biggest trophy, this one is a pretty safe bet.
Snubbed: Yes, yes, Christopher Nolan deserved a nomination  for Inception here over Tom Hooper, but don’t forget Danny Boyle.  His direction on 127 Hours was impeccable and his movie was better than both Inception and The King’s Speech.   I’d also throw in Lisa Cholodenko’s low-key genius in The Kid’s Are All Right, Gasper Noe’s hallucinatory brilliance in Enter the Void, Roman Polanski’s artful storytelling in The Ghost Writer and the mesmerizing work of Claire Denis in White Material.

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Communication breakdown: always the same?

According to the two front-runners for this year’s Best Picture Oscar, The King’s Speech and The Social Network, communication is not half the battle: it’s the entire war.  These two very different seeming movies actually speak mounds about our fear to speak. 

The Social Network is the more obvious with this, taking a dark, rapid-fire look into how one outcast started an online empire simply because he couldn’t fit into the real world.  Mark Zuckerberg, as many may have noticed on his recent Saturday Night Live appearance, has trouble in real life.  The way Jesse Eisenberg portrays him, his brain seems backed up because he can’t talk fast enough, emitting sentences in short, machine gun-like bursts.

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REVIEW: A Solitary Man

A Solitary Man
Directed by: Brian Koppelman & David Levien
Written by: Brian Koppelman
Starring: Michael Douglas, Jenna Fischer, Susan Sarandon, and Danny DeVito

You see him in the rear-view mirror, but he’s not looking back.  His eyes look stubbornly ahead at an open highway as his life is under construction.

Those eyes and that face belong to Michael Douglas, who in A Solitary Man plays Ben Kalmen, a disgraced degenerate of a character not unlike those that many other aging actors have done in the past few years.  A once-wealthy Baby Boomer taken from his pedastal of pleasure and placed in a rapidly swirling drain is a popular story when Oscar season rolls around.  Jeff Bridges and Mickey Rourke did it to their own ends, and now Douglas does it to his own.

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REVIEW: The Social Network


The Social Network
Directed by: David Fincher
Written by: Aaron Sorkin
Starring: Jesse Eisenberg, Andrew Garfield, Justin Timberlake, and Armie Hammer

There are girls playing PlayStation in the next room, and you’re uploading internet code.  Such are the ways of kings in the 21st century, and one of the keenest insights made in David Fincher’s The Social Network.

As you probably know by now, this is “The Facebook Movie.”  It’s also a potent drama, fueled by stories and themes as ancient as both stories and themes.  Betrayal, identity, and the nature of friendship are all at the core of Aaron Sorkin’s stunning screenplay.  The Sorkin/Fincher pairing, however unlikely, pays off in spades.

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TRAILER: The Social Network

The Social Network
Directed by: David Fincher
Written by: Aaron Sorkin (screenplay), Ben Mezrich (book)
Starring: Jesse Eisenberg, Andrew Garfield, Rashida Jones, and Justin Timberlake

There’s always that early fall movie that gets ridiculously good reviews.  Last year it was Precious, and this year it looks like David Fincher’s Facebook exposé The Social Network.  Already hailed as a classic by publications as diverse as Rolling Stone and Film Comment, it looks to be yet another “movie of the moment,” much like Up in the Air. It’s hard pressed to make that kind of judgment until the movie actually comes out, but the trailer itself doesn’t speak this highly of the movie.

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