Harry Potter and the Deathly Hallows: Part 2 Directed by: David Yates Written by: Steve Kloves (screenplay), J.K. Rowling (novel) Starring: Daniel Radcliffe, Rupert Grint, Emma Watson, and Ralph Fiennes
The cheers and tears of millions of fans around the world will signify the end of the era of Potter. Though the books ended in 2007 (when the fifth film came out), this eighth film installment truly marks the end of J.K. Rowling’s wizard phenomenon.
Harry Potter and the Deathly Hallows: Part 2 abandons much of the atmospheric dread of the past two films in favor of full-on confrontation. The initial scenes carry that “Calm before the storm” not only narratively but aesthetically as well. We watch as Snape (Alan Rickman) precedes over fascistic-looking marches at Hogwarts School of Witchcraft and Wizardry with a troubled calm settling on his face.
Sure, there will be plenty of crap released this year just like any other. We all have another delightful Transformers installment to look forward to in the summer, and the coming winter months are when Hollywood dumps its crap that wouldn’t make money during prime Christmas season. So, while the award contenders from last year and the buzz-kills duke it out in January and February, here are our picks for what to watch for the rest of the year.
The Tree of Life (May 27)– Terrence Malick has made some of the most visually stunning movies ever to grace the screen. Film-wise, he hasn’t made as many as other auteurs his age, but his mark is no less indelible. With The Tree of Life, he will most likely twist audience expectation for what a “summer blockbuster” with A-list stars is. Brad Pitt and Sean Penn are headlining in this tale about a young boy in the 50s who “witnesses the loss of innocence.” The hypnotic trailer is almost as vague as that description, but infinitely more beautiful. It draws you in without ruining it.
The Girl With the Dragon Tattoo (December 21)- Fresh off his hot streak with The Social Network, David Fincher attempts to Americanize the already explosively popular book series and its Swedish film adaptations. It will be hard for him to do worse than the original Dragon Tattoo movie, which captured the atmosphere but gutted the story of Stieg Larssonn’s original. The story, about a hacker and a disgraced journalist teaming up to hunt down a serial killer, is the perfect fit for Fincher. Here’s hoping Daniel Craig and Rooney Mara are also up for the dark twists and brooding revelations.
Harry Potter and the Deathly Hallows: Part 1 Directed by: David Yates Written by: Steve Kloves (screenplay), J.K. Rowling (novel) Starring: Daniel Radcliffe, Emma Watson, Rupert Grint, and Ralph Fiennes
And so it begins to end. Almost ten years after Harry Potter, his friends, his enemies, and his journey began lighting up the silver screen with J.K. Rowling’s magical prose, billions have been made, and countless fans have been enraptured. The Potter franchise will always be known first as a literary milestone, as it well should be. To their credit though, these movies aren’t half-bloody bad.
Guiding this now well-known journey to the finish line is the steady artistic hand of director David Yates, who has been with the series since the fifth film. Giving Hogwarts the dark tonal shift necessary to keep up with the ever-darkening plot was a task he more than lived up to. In the fifth and sixth films, the setting is another character in the movie.
Before The Deathly Hallows begins the end of the Potter films, we decided to look back at the films, from their beginnings trapped within the pages of JK Rowling’s books to the emerging of an original identity on the screen.
1. The Prisoner of Azkaban 2004
In a near tie for first place, The Prisoner of Azkaban makes its way to the top for being the first Potter film to not only hold its own against the books, but break out from them and create an identity of its own. The first film to finally stylize the setting using clever cinematography, narrative rhythm and creative art direction came as a surprise to fans. It was much darker, more mature and more enthralling than the previous installments. See the opening scene that hints at masturbation for further proof. Much of this is attributed to director Alfonso Cuaron, who previously directed the Spanish youth sex odyssey Y Tu Mama Tambien before attacking this adaptation. Guillermo del Torro and Marc Foster turned down the project, fearing it was too happy and full of light. Luckily Cuaron found the gloom and realism even in the magical world of Hogwarts.
2. The Order of the Phoenix 2007
Just like The Prisoner of Azkaban redefined the way the Harry Potter world would be told and constructed, The Order of the Phoenix built on those changes, exploring what an even larger budget, larger sets and more visual effects could do for the story. David Yates was the perfect person to take over the rest of the series and handle the edge and seriousness the rest of the story had to offer. With a story drawing on really interesting themes like repression and rebellion, it’s about as fun and appropriate as it gets for a struggling-to-grow-up story.
With The Social Network and Let Me In giving movie-goers some anti-summer entertainment to look forward to this weekend, we thought it’d be a good idea to map out what the rest of 2010 will look like at the movies. Here is our list of the 10 movies we think will matter the rest of the year.
Black Swan(Dec. 1)– Darren Aronofsky follows up The Wrestler with another behind the scenes plunge into the dark depths of competitive sports. This time it’s Natalie Portman in the lead, playing a ballerina in a a gruelingly competitive production of Swan Lake. When Mila Kunis comes in as a the new kid on the block, the game is on. That makes it sound like Step Up, but from trailer, which shows Portman sprouting feathers and red eyes, it will be decidedly weirder. Aronofsky knows his way around pitch black, and has a knack for turning misery into beauty. Expect nothing less here.
True Grit (Dec. 25)– What better way to celebrate Christmas than with a Coen Brothers movie? They team up with Jeff Bridges again, this time to remake the western that won John Wayne his Oscar. However, the brothers list the novel as their main source of inspiration because of its quick dialogue as well as the premise. A daughter (newcomer Hailee Steinfield) sets out to apprehend her father’s killer with the help of a stubborn marshal (Bridges.) The movie also features Matt Damon as a ranger accompanying the two and Josh Brolin as the killer. With a remarkable cast like this, and the success they had adapting No Country for Old Men, it’s hard not to be excited about this one.