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Short takes: Blade Runner 2049, Happy Death Day & Brawl in Cell Block 99

Blade Runner 2049 —  It would have been interesting to see what Ridley Scott did with Blade Runner 2049. He has had mixed results with expanding the mythology of the Alien films, though having them stacked up against his near-perfect original almost seems unfair. The way he has deepened the mythology, though, by focusing on the android characters, would make his updated take on the world of Blade Runner fascinating. Comparisons between Blade Runner 2049 and the original don’t hurt the quality of either movie, though that could be because I don’t hold the 1982 film in as high regard as some of Scott’s others.

The Blade Runner universe, which focuses on the “retiring” (killing) of human-made androids called replicants, is also a good fit for Denis Villeneuve. His 35-year-later sequel focuses on Los Angeles Police Officer K (Ryan Gosling), who is tasked with hunting down older model replicants, the ones who can disobey their programming and grow to have independent thoughts. His initial retirement of a replicant who has been hiding out on a farm for 20 years leads him down a rabbit hole that challenges his perceptions of what he does and blows open much of the debate that fueled the original movie. How human are the replicants? And how much do humans ignore that to get rid of the ones labeled as rogue?

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