Directed by: Darren Aronofsky
Written by: Darren Aronofsky
Starring: Jennifer Lawrence, Javier Bardem, Ed Harris and Michelle Pfeiffer
It’s best to go into mother! knowing nothing about it, though if someone spoils it for you you might not believe them. (I’ll do my best not to spoil any major plot points from here on out, but you might want to stop until after you see the movie). Darren Aronofsky’s psychodrama plums the self-lacerating depths of being married to a hopeless narcissist, a popular one at that. His portrait of marriage is ruthlessly calculated, pinpointing the tremors in a woman’s face with every small betrayal by her husband. A series of disruptions to their everyday lives begins as a nervous twitch before careening over the edge of sanity into an abyss of blood and fire.
The couple at the center of the movie (played by Jennifer Lawrence and Javier Bardem), live in an isolated mansion, one too far removed from society for cell phone service but not for a landline. The woman (none of the characters are named) spends the days remodeling the house after it was nearly destroyed in a fire. Her husband is a writer supposedly crippled by writer’s block. He often fills his time tucked away in a study gazing at odd knick knacks, like a mysterious gem he keeps on a pedestal and protects like he’s Gollum. Sometimes he appears to just wonder off into the neighboring woods. I got the sense when the movie started that she wakes up almost every morning to an empty bed and plays a slightly sad game of hide and seek.