Harry Potter and the Deathly Hallows: Part 1 Directed by: David Yates Written by: Steve Kloves (screenplay), J.K. Rowling (novel) Starring: Daniel Radcliffe, Emma Watson, Rupert Grint, and Ralph Fiennes
And so it begins to end. Almost ten years after Harry Potter, his friends, his enemies, and his journey began lighting up the silver screen with J.K. Rowling’s magical prose, billions have been made, and countless fans have been enraptured. The Potter franchise will always be known first as a literary milestone, as it well should be. To their credit though, these movies aren’t half-bloody bad.
Guiding this now well-known journey to the finish line is the steady artistic hand of director David Yates, who has been with the series since the fifth film. Giving Hogwarts the dark tonal shift necessary to keep up with the ever-darkening plot was a task he more than lived up to. In the fifth and sixth films, the setting is another character in the movie.
Before The Deathly Hallows begins the end of the Potter films, we decided to look back at the films, from their beginnings trapped within the pages of JK Rowling’s books to the emerging of an original identity on the screen.
1. The Prisoner of Azkaban 2004
In a near tie for first place, The Prisoner of Azkaban makes its way to the top for being the first Potter film to not only hold its own against the books, but break out from them and create an identity of its own. The first film to finally stylize the setting using clever cinematography, narrative rhythm and creative art direction came as a surprise to fans. It was much darker, more mature and more enthralling than the previous installments. See the opening scene that hints at masturbation for further proof. Much of this is attributed to director Alfonso Cuaron, who previously directed the Spanish youth sex odyssey Y Tu Mama Tambien before attacking this adaptation. Guillermo del Torro and Marc Foster turned down the project, fearing it was too happy and full of light. Luckily Cuaron found the gloom and realism even in the magical world of Hogwarts.
2. The Order of the Phoenix 2007
Just like The Prisoner of Azkaban redefined the way the Harry Potter world would be told and constructed, The Order of the Phoenix built on those changes, exploring what an even larger budget, larger sets and more visual effects could do for the story. David Yates was the perfect person to take over the rest of the series and handle the edge and seriousness the rest of the story had to offer. With a story drawing on really interesting themes like repression and rebellion, it’s about as fun and appropriate as it gets for a struggling-to-grow-up story.