One of the most wildly talented performers working today, Tilda Swinton brings the utmost care to every movie character she portrays. Whether it’s glossy Hollywood productions like The Curious Case of Benjamin Button, intense indie grime like Julia or a seductive romance like the Italian drama I Am Love, Swinton truly transforms on the screen. She makes every character, no matter how weird and despicable, inescapably human. Often pidgeonholed as an Ice Queen after playing them (sometimes literally) in movies like Burn After Reading, Michael Clayton and The Chronicles of Narnia, the truth is that Swinton simply has more emotional range and capacity for risk-taking than anyone else currently working in her profession.
Michael Clayton-Movies like this don’t intend to become a showcase for acting, yet Swinton steals every scene she is in, Clooney be damned. As cutthroat corporate executive Karen Crowder, Swinton shows us a woman whose every ferocious stroke is driven by desperation. For every scene showcasing her aggressiveness, there is one that undermines it, including the legendary final showdown between her and the title character.
We Need to Talk About Kevin Directed by: Lynne Ramsay Written by: Lynne Ramsay & Rory Kinnear (screenplay), Lionel Shriver (novel) Starring: Tilda Swinton, John C. Reilly, Ezra Miller and Jasper Newell
Mothers are a fixture in many serial killer canons, in real life and in film. Alfred Hitchcock’s Psycho is probably the most infamous momma’s boy killer, though she never makes an actual appearance. We Need to Talk About Kevin, a startling fever dream of a movie from Lynne Ramsay, examines the mother of a boy who locks his school up and kills several other students.
That mother, Eva Khatchadourian, is played by Tilda Swinton with exactly the kind of wayward complexity and urgency you expect from the great actress. Ramsay assaults the viewer with a kaleidoscope of terror, as Eva’s life switches from her short-haired days raising her son Kevin (played as a troubled child by Rock Duer and Jasper Newell and as a creepy teen by Ezra Miller) to her mid-length days living in shame after his crime.
Sure, there will be plenty of crap released this year just like any other. We all have another delightful Transformers installment to look forward to in the summer, and the coming winter months are when Hollywood dumps its crap that wouldn’t make money during prime Christmas season. So, while the award contenders from last year and the buzz-kills duke it out in January and February, here are our picks for what to watch for the rest of the year.
The Tree of Life (May 27)– Terrence Malick has made some of the most visually stunning movies ever to grace the screen. Film-wise, he hasn’t made as many as other auteurs his age, but his mark is no less indelible. With The Tree of Life, he will most likely twist audience expectation for what a “summer blockbuster” with A-list stars is. Brad Pitt and Sean Penn are headlining in this tale about a young boy in the 50s who “witnesses the loss of innocence.” The hypnotic trailer is almost as vague as that description, but infinitely more beautiful. It draws you in without ruining it.
The Girl With the Dragon Tattoo (December 21)- Fresh off his hot streak with The Social Network, David Fincher attempts to Americanize the already explosively popular book series and its Swedish film adaptations. It will be hard for him to do worse than the original Dragon Tattoo movie, which captured the atmosphere but gutted the story of Stieg Larssonn’s original. The story, about a hacker and a disgraced journalist teaming up to hunt down a serial killer, is the perfect fit for Fincher. Here’s hoping Daniel Craig and Rooney Mara are also up for the dark twists and brooding revelations.