Young Adult Directed by: Jason Reitman Written by: Diablo Cody (screenplay) Starring: Charlize Theron, Patton Oswalt, Patrick Wilson and Collette Wolf
Mavis Gary is one of the most fully realized movie characters in recent memory, and certainly of 2011. In the span of Young Adult’s 90 minutes, Diablo Cody’s writing, Jason Reitman’s directing and Charlize Theron’s acting fuse together seamlessly to show us her demented, delusional inner workings.
In an early scene, Mavis is going to meet up with an old flame from high school named Buddy (Patrick Wilson). She enters this small town bar with a tight, skimpy black outfit. As she looks around the bar, judging every other patron there, the camera shifts to a POV shot as if asking us to judge them too. When the waiter comes to her table, she rudely tells him to take back the silverware and bring her a drink. Buddy enters, and she lights up with a grotesque fakeness that she dons almost as often as her snide glare.
Sure, there will be plenty of crap released this year just like any other. We all have another delightful Transformers installment to look forward to in the summer, and the coming winter months are when Hollywood dumps its crap that wouldn’t make money during prime Christmas season. So, while the award contenders from last year and the buzz-kills duke it out in January and February, here are our picks for what to watch for the rest of the year.
The Tree of Life (May 27)– Terrence Malick has made some of the most visually stunning movies ever to grace the screen. Film-wise, he hasn’t made as many as other auteurs his age, but his mark is no less indelible. With The Tree of Life, he will most likely twist audience expectation for what a “summer blockbuster” with A-list stars is. Brad Pitt and Sean Penn are headlining in this tale about a young boy in the 50s who “witnesses the loss of innocence.” The hypnotic trailer is almost as vague as that description, but infinitely more beautiful. It draws you in without ruining it.
The Girl With the Dragon Tattoo (December 21)- Fresh off his hot streak with The Social Network, David Fincher attempts to Americanize the already explosively popular book series and its Swedish film adaptations. It will be hard for him to do worse than the original Dragon Tattoo movie, which captured the atmosphere but gutted the story of Stieg Larssonn’s original. The story, about a hacker and a disgraced journalist teaming up to hunt down a serial killer, is the perfect fit for Fincher. Here’s hoping Daniel Craig and Rooney Mara are also up for the dark twists and brooding revelations.
Over the past few years, the awkward male side character has made a comeback in the movies. What started as an obscure indie thing, most prominently in Juno, has since infiltrated mainstream cinema and in fact become mainstream cinema.
It was a hopeless novelty, off-beat and charming at first, now bothersome and annoying. It seems as though every movie needs to have that character that walks into the room and makes an awkward grunt or a side-splitting out of place comment that’s supposed to be hilarious. The trouble is, it isn’t.
What seems to be happening is that writers now think just because a character is awkward and says random things, this makes them funny. Lines like “Hold on a second, I’m on my hamburger phone,” have replaced actual punch-lines. The very notion that the phone is a hamburger is supposed to be funny, so it’s not necessary to include a joke about it.
As you learn more and more about the movies in America, a few faces stand synonymous with the silver screen. Darth Vader, James Bond, Dorothy Gale, Dirty Harry- there are countless others I could name, but that’s not the point of this post. What are the new screen icons, the characters that will join the ranks of those immortal celluloid figures 50 years down the road? Here are my choices for 10 movie characters who burned their towering images into the silver screen.
1. Gollum- I choose this endearing figure from the Lord of the Rings trilogy not only because of the beguiling performance of Andy Serkis, but because Gollum also marks a transition in filmmaking. If this is the digital age, it’s only because Serkis and Peter Jackson proved you could do it without sacrificing emotional intensity or credibility. When Gollum talks to himself as his alter ego Smeagle, you believe in the new power of special effects.
2. The Bride- The blood-splattered angel of Quentin Tarantino’s gory genre exploitations is portrayed by Uma Thurman with both the suave of a genuine action star and the grit of a truly great actress. The yellow jumpsuit-wearing, samurai sword-wielding incarnation will remain in movie watchers’ minds for years to come.