Our (Belated) List of Favorite Movie Directors

1. Martin Scorsese- It may seem unimaginable that nearly three years ago director Martin Scorsese had yet to hold an Academy Award in his hands, but it is the disappointing truth. The once would-be Catholic priest entered the film making world with hits like Boxcar Bertha and Mean Streets which put him at the forefront of New Hollywood with his violent, audience-specific films. Though Francis Ford Coppola felt he was unfit to helm The Godfather: Part III, Scorsese quickly overshadowed Coppola to become an icon of his own, creating films filled with themes related to violence, machismo, Italian-American identity, immigration, Catholicism and New York City. Five decades of classics like Taxi Driver, Raging Bull, Goodfellas and The Departed, Scorsese set a style of quick editing, rock and roll soundtrack and frequent collaboration with actors and editors who claim Scorsese to be a living encyclopedia of film history. The film that did it for us: Though he’s created modern epics including a personal favorite, Gangs of New York, Scorsese’s talents are most apparent in Taxi Driver, a film with some of the most carefully constructed technical detail and powerful themes of isolation, violence, sex and how they are related and lead to destruction.

2. Stanley Kubrick– One of the unprecedented visual artists in all of cinema, it’s hard to not love movies when Stanley Kubrick makes them.  His gift for telling a compelling story is aided by those infamous distant shots, able to encompass the idiocy in The War Room (Dr. Strangelove) or gravity-defying in the great beyond (2001: A Space Odyssey).  He never told the same story twice, but each film carries with it his distinct visual flair,  helping him to create some of the most fully realized worlds the movies have ever seen.  Kubrick is one of the biggest influences on American cinema not only because of his artistic genius, though.  His ruthless dedication to his vision of the material led to feuds with his actors and the writers of the source material (both on The Shining.)  Perfectionism is costly, but with it he created many things that are, in fact, perfect.  The film that did it for us: There’s never been a more beautifully filmed comedy than Dr. Strangelove, and there are few as horrific.

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The Best Potter Films, So Far…

Before The Deathly Hallows begins the end of the Potter films, we decided to look back at the films, from their beginnings trapped within the pages of JK Rowling’s books to the emerging of an original identity on the screen.

1. The Prisoner of Azkaban 2004

In a near tie for first place, The Prisoner of Azkaban makes its way to the top for being the first Potter film to not only hold its own against the books, but break out from them and create an identity of its own. The first film to finally stylize the setting using clever cinematography, narrative rhythm and creative art direction came as a surprise to fans. It was much darker, more mature and more enthralling than the previous installments.  See the opening scene that hints at masturbation for further proof. Much of this is attributed to director Alfonso Cuaron, who previously directed the Spanish youth sex odyssey Y Tu Mama Tambien before attacking this adaptation. Guillermo del Torro and Marc Foster turned down the project, fearing it was too happy and full of light. Luckily Cuaron found the gloom and realism even in the magical world of Hogwarts.

2. The Order of the Phoenix 2007

Just like The Prisoner of Azkaban redefined the way the Harry Potter world would be told and constructed, The Order of the Phoenix built on those changes, exploring what an even larger budget, larger sets and more visual effects could do for the story. David Yates was the perfect person to take over the rest of the series and handle the edge and seriousness the rest of the story had to offer. With a story drawing on really interesting themes like repression and rebellion, it’s about as fun and appropriate as it gets for a struggling-to-grow-up story.

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