REVIEW: Flight

Flight
Directed by: Robert Zemeckis
Written by: John Gatins (screenplay)
Starring: Denzel Washington, Kelly Reilly, Don Cheadle and John Goodman

Denzel Washington has an uncanny knack for throwing away his lines while still allowing them to register emotionally on his face.  This tactic serves him quite well in Robert Zemeckis’ Flight because the character he portrays, the alcoholic airplane pilot Whip Whitaker, would be much too volcanic and ineffective if he was played in a straightforward way.  In Washington’s hands, he transforms into a wounded maverick lying his way out of a situation he had no control over.

Unlike many of Zemeckis’ other movies, Flight avoids many opportunities for standard character development and perseverance.  When a standard Orlando-Atlanta flight turns into a nosedive at 30,000 feet because of mechanical malfunctions, Whitaker remarkably flies the plane upside down and stabilizes it for a safe landing.  Of the 102 passengers on board, only six died when all of them should have.

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REVIEW: Red State

Red State
Directed by: Kevin Smith
Written by: Kevin Smith (screenplay)
Starring: John Goodman, Melissa Leo, Michael Parks and Kyle Gallner

Usually, Kevin Smith’s status as a writer/director mirrors that of Woody Allen.  When he’s on, most notably in Clerks, he’s dead-on and when he’s off in movies like Dogma or Cop Out, he’s just dead.  Red State marks a departure for him as a filmmaker in many ways.  First and foremost is that it’s not really a comedy outside the occasional chuckle, and second is that the grotesque happens just as much as it is talked about.

Red State is neither a total success or complete failure.  It explores a militant anti-gay Christian church in an unnamed state in Middle America.  Though the church is meant to mirror the infamous Westboro Baptist Church in Kansas, Smith distances himself from that as the church members lay down their picket signs and pick up automatic weapons.

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BEST PICTURE NOMINEE: The Fighter

The Fighter
Directed by: David O. Russell
Written by: Scott Silver, Paul Tamasy, & Eric Johnson
Starring: Mark Wahlberg, Christian Bale, Amy Adams, and Melissa Leo

Micky Ward is trapped.  Trapped by his overbearing mother, his drug-addicted has-been of a brother, and the endless cliches of boxing movies.  Fortunately, with the help of an extraordinarily assembled cast of actors and a director (David O. Russell, a name to remember) with a fairly unique vision, The Fighter kind of comes out on top.

Horribly titled to be sure, this film tells the semi-true story of an underdog boxer (Mark Wahlberg).  Blah, blah, blah, you’ve heard it all before. The biggest success of this movie is that Russell is almost in as much of a rush to get past the fight scenes and into the juicy human drama as the rest of us are.  There’s a big story to be told here outside the ring, and when it stays outside the movie is a potent, fully alive drama.

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And the winners should be…. 2011 Oscar Predictions (Matt’s Picks)

Best Picture

The Social Network
Black Swan
The King’s Speech
127 Hours
Winter’s Bone
The Kids Are All Right
Inception
Toy Story 3
The Fighter
True Grit

Should Win I’d be the most happy with Social Network, Black Swan, or The Kids Are All Right.  There’s no real Blind Side this year, but The King’s Speech is the least deserving… and it’s also one of the front-runners.
Will Win: The Social Network has a real shot, but so does The King’s Speech. Many have already handed it to King George, but I’m leaning toward King Zuckerberg.
Snubbed: There’s really no Blind Side this year among the nominees. However, over The King’s Speech I would’ve nominated The Ghost Writer, Enter the Void, White Material, Exit Through the Gift Shop, Splice or I Am Love.


Best Director

Tom Hooper- The King’s Speech
Darren Aronofsky- Black Swan
Joel & Ethan Coen- True Grit
David Fincher- The Social Network
David O. Russell- The Fighter

Should Win: Aronofsky.  His direction on Black Swan was the best thing about the movie, which is saying a lot.  Fincher is also great, but so many other elements of Social Network would’ve worked on their own if not as well.  You can’t really say that about Black Swan.
Will Win: Fincher.  Even if The Social Network doesn’t walk away with the night’s biggest trophy, this one is a pretty safe bet.
Snubbed: Yes, yes, Christopher Nolan deserved a nomination  for Inception here over Tom Hooper, but don’t forget Danny Boyle.  His direction on 127 Hours was impeccable and his movie was better than both Inception and The King’s Speech.   I’d also throw in Lisa Cholodenko’s low-key genius in The Kid’s Are All Right, Gasper Noe’s hallucinatory brilliance in Enter the Void, Roman Polanski’s artful storytelling in The Ghost Writer and the mesmerizing work of Claire Denis in White Material.

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The Best Performances of 2010

1. Annette Bening- The Kids Are All Right The kids might just be all right, but Annette Bening as a modern lesbian mother seeing her family spin out of control no matter how tightly wound her controlling character may be is more than all right, she’s fantastic. Her ability to play the character with such effortlessness and ease makes the audience forget they are watching film and instead submerse themselves into the troubles, anxieties and and love that her character Nic feels as she undergoes a common, but crucial stage in life. Key Scene: Even with so many to choose from, one scene one can’t forget after watching the film is the humorous yet explosive scene of seeing her daughter come home on a motorcycle with “donor-Dad” and finally releasing her feelings about his unwanted parenting.

2. Christian Bale- The Fighter– Bale steals scenes left and right in The Fighter, much like they were stolen from him in The Dark Knight. As the crack-addicted former boxing star of Lowell, Mass., he must now watch as his brother Micky chases after the dream with a clearer head.  Adding in humor only makes his character the sad clown, one that, unlike The Joker, you really feel for.  Key Scene: Bale singing a song with his mother (Melissa Leo) in the car after the two had just had a big argument.  The full spectrum of these two characters’ relationship comes to light thanks to this explosive and charming scene.

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REVIEW: The Fighter

The Fighter
Directed by: David O. Russell
Written by: Scott Silver, Paul Tamasy, & Eric Johnson
Starring: Mark Wahlberg, Christian Bale, Amy Adams, and Melissa Leo

Micky Ward is trapped.  Trapped by his overbearing mother, his drug-addicted has-been of a brother, and the endless cliches of boxing movies.  Fortunately, with the help of an extraordinarily assembled cast of actors and a director (David O. Russell, a name to remember) with a fairly unique vision, The Fighter kind of comes out on top.

Horribly titled to be sure, this film tells the semi-true story of an underdog boxer (Mark Wahlberg).  Blah, blah, blah, you’ve heard it all before. The biggest success of this movie is that Russell is almost in as much of a rush to get past the fight scenes and into the juicy human drama as the rest of us are.  There’s a big story to be told here outside the ring, and when it stays outside the movie is a potent, fully alive drama.

Continue reading