Steve Jobs — I was pleasantly surprised that Steve Jobs was honed in on three specific product launches in the late Apple prodigy’s life rather than a straightforward biopic. There are flashbacks to key moments in his past, but they come in at spontaneous and fitting moments. Each launch captures the personal and professional turmoil in Jobs’ life, and their pacing is unrelenting. The movie doesn’t shy away from how much of an asshole he was, though it does give him an overly sappy, redeeming conclusion. Michael Fassbender captures his opportunism and arrogance, and the movie is able to make him sympathetic by focusing largely on his failures.
Aaron Sorkin’s screenplay, a rapid-fire burst of bitterness, denial and outright cruelty, is the true star of the movie. This is both a good and a bad thing; the dialogue is brilliant, and delivered at such a breakneck pace that it’s often overwhelming, especially with Daniel Pemberton’s feverish score. However, this also means Steve Jobs never really leaps off the page. Sorkin, Fassbender and director Danny Boyle tap into Jobs’ magnetism, but it feels too calculated. The dialogue sparkles, but other than a board meeting during a rain storm or a feverish crowd waiting for Jobs to take the stage, the images almost never do. Grade: C
CyniCritics 