REVIEW: Moneyball

Moneyball
Directed by: Bennett Miller
Written by: Steven Zaillian & Aaron Sorkin (screenplay)
Starring: Brad Pitt, Jonah Hill, Philip Seymour Hoffman and Chris Pratt

Moneyball is a movie preordained to be an Oscar contender simply by the marketing.  Brad Pitt is in a sports movie, and he’s at his Brad Pittiest.  The odds are in this movie’s favor to be a contender, though, not to win (yet).

Billy Beane (Pitt) would not like that.  He is a man who needs to have the last word, to win the last game.  As the manager of The Oakland A’s, one of the poorest teams in professional baseball, he’s willing to grapple with a new strategy: play by the numbers, not the players.  Along with Yale economics alum Peter Brand (Jonah Hill), they shift the focus of recruiting new players to computer-generated results to acquire overlooked players on the cheap.

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REVIEW: Win Win

Win Win
Directed by: Tom McCarthy
Written by: Tom McCarthy (screenplay)
Starring: Paul Giamatti, Amy Ryan, Alex Shaffer, and Melanie Lynskey

Tom McCarthy’s Win Win reminds you that even a genre labeled “independent” can succumb to endless cliches.  This is not because it is predictable, but because you are lead to believe that it will be from the beginning.

Armed with a mordant wit (what successful indie comedy filmmaker isn’t?) and a sly sense for what a movie with Paul Giamatti is supposed to be like, McCarthy dismantles the sports genre and the midlife crisis movie from the inside out.  We follow Mike Flaherty (Giamatti) a down-on-his luck New Jersey lawyer with a tough-but-loving wife (Amy Ryan, who else?) and two children.

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BEST PICTURE NOMINEE: The Fighter

The Fighter
Directed by: David O. Russell
Written by: Scott Silver, Paul Tamasy, & Eric Johnson
Starring: Mark Wahlberg, Christian Bale, Amy Adams, and Melissa Leo

Micky Ward is trapped.  Trapped by his overbearing mother, his drug-addicted has-been of a brother, and the endless cliches of boxing movies.  Fortunately, with the help of an extraordinarily assembled cast of actors and a director (David O. Russell, a name to remember) with a fairly unique vision, The Fighter kind of comes out on top.

Horribly titled to be sure, this film tells the semi-true story of an underdog boxer (Mark Wahlberg).  Blah, blah, blah, you’ve heard it all before. The biggest success of this movie is that Russell is almost in as much of a rush to get past the fight scenes and into the juicy human drama as the rest of us are.  There’s a big story to be told here outside the ring, and when it stays outside the movie is a potent, fully alive drama.

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REVIEW: The Fighter

The Fighter
Directed by: David O. Russell
Written by: Scott Silver, Paul Tamasy, & Eric Johnson
Starring: Mark Wahlberg, Christian Bale, Amy Adams, and Melissa Leo

Micky Ward is trapped.  Trapped by his overbearing mother, his drug-addicted has-been of a brother, and the endless cliches of boxing movies.  Fortunately, with the help of an extraordinarily assembled cast of actors and a director (David O. Russell, a name to remember) with a fairly unique vision, The Fighter kind of comes out on top.

Horribly titled to be sure, this film tells the semi-true story of an underdog boxer (Mark Wahlberg).  Blah, blah, blah, you’ve heard it all before. The biggest success of this movie is that Russell is almost in as much of a rush to get past the fight scenes and into the juicy human drama as the rest of us are.  There’s a big story to be told here outside the ring, and when it stays outside the movie is a potent, fully alive drama.

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