Our Favorite Performances of 2012

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1. Joaquin Phoenix (The Master)- There must be something about Paul Thomas Anderson that gets such raw, elemental performances for his movies.  Phoenix, after his faux crazy odyssey, gives The Master such ferocious, filthy life that he managed to beat all the other fantastic roles this year, including the great Daniel Day-Lewis (who also gave Anderson an immortal performance in There Will Be Blood).

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2. Daniel Day-Lewis (Lincoln)- Though Lincoln is an ensemble drama, it is built from the ground up around a character that needed to be reigned in and humanized.  Day-Lewis is not larger than life as our 16th president because that would’ve added layers of cheese to a movie that was already scored by John Williams.  His take on Lincoln often appears exhausted, both physically and emotionally, as he should be while overseeing the Civil War while trying to push through the 13th amendment to ban slavery and contend with family drama.

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3.  Emmanuelle Riva (Amour)- The slow, ruthless decline of Anne during Michael Haneke’s Amour is essential to the movie’s success.  From her first, silent stroke at the breakfast table to her crippled, mangled body by the end, this is a performance that required great emotional honesty without overdoing it.  She gives one of the most wrenching depictions of hopeless, helpless illness ever.

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REVIEW: Flight

Flight
Directed by: Robert Zemeckis
Written by: John Gatins (screenplay)
Starring: Denzel Washington, Kelly Reilly, Don Cheadle and John Goodman

Denzel Washington has an uncanny knack for throwing away his lines while still allowing them to register emotionally on his face.  This tactic serves him quite well in Robert Zemeckis’ Flight because the character he portrays, the alcoholic airplane pilot Whip Whitaker, would be much too volcanic and ineffective if he was played in a straightforward way.  In Washington’s hands, he transforms into a wounded maverick lying his way out of a situation he had no control over.

Unlike many of Zemeckis’ other movies, Flight avoids many opportunities for standard character development and perseverance.  When a standard Orlando-Atlanta flight turns into a nosedive at 30,000 feet because of mechanical malfunctions, Whitaker remarkably flies the plane upside down and stabilizes it for a safe landing.  Of the 102 passengers on board, only six died when all of them should have.

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