BEST PICTURE NOMINEE: War Horse

War Horse
Directed by: Steven Spielberg
Written by: Lee Hall and Richard Curtis (screenplay), Michael Morpurgo (novel)
Starring: Jeremy Irvine, Peter Mullan, Emily Watson and Niels Arestrup

In his second movie of 2011 (released only a few days after The Adventures of Tintin), Steven Spielberg has made one of the most quietly beautiful films of the year and his career.  War Horse may lack the grand narrative spectacle that follows much of his other work, Tintin included, but its imagery is truly captivating.

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2012 Oscar Nominations: Matt’s Picks

I don’t really take the Oscars seriously, though they are interesting to look at and fun to lambast.  This year’s nominees are chock-full of the typical awards-seeking fodder (War Horse, Extremely Loud and Incredibly Close) and the usual pleasant surprises (Tree of Life, Gary Oldman) and snubs (DiCaprio, Dunst).  These are my picks for this year’s ceremonies, though like I said, I don’t particularly care.

Best Picture

Nominees: War Horse, The Tree of Life, Moneyball, The Artist, Hugo, Midnight in Paris, The Descendants, Extremely Loud and Incredibly Close, The Help

Will Win: The Artist.  It’s a cute gimmick that should’ve been a short film, but I was sold on it winning as soon as people started bringing up that if it won it’d be the first silent to film to win since the actual Silent Era.  Blah blah blah.

Should Win: The Tree of Life was the most ambitious and beautiful film to be released last year, though it was lucky to score a nomination.  I also wouldn’t mind seeing Hugo take top honors.  It does what The Artist tried to do so much better.

Left out: Melancholia, A Dangerous Method, Tinker Tailor Soldier Spy, Certified Copy and Young Adult are all more worthy than most of the nominees.

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REVIEW: War Horse

War Horse
Directed by: Steven Spielberg
Written by: Lee Hall and Richard Curtis (screenplay), Michael Morpurgo (novel)
Starring: Jeremy Irvine, Peter Mullan, Emily Watson and Niels Arestrup

In his second movie of 2011 (released only a few days after The Adventures of Tintin), Steven Spielberg has made one of the most quietly beautiful films of the year and his career.  War Horse may lack the grand narrative spectacle that follows much of his other work, Tintin included, but its imagery is truly captivating.

From the pensive beginning and ending on the same British farm to the desecrated terrain of World War I battlefields, Spielberg films War Horse with the kind of steady hand that only experience can bring.  Instead of embracing new motion capture animation technology like he did with Tintin, here he meticulously recreates explosive battles without using special effects.  As if that weren’t enough, he has placed a horse at the center of his story, and it does not talk like it might in an animated film.

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