BEST PICTURE NOMINEE: Moneyball

Moneyball
Directed by: Bennett Miller
Written by: Steven Zaillian & Aaron Sorkin (screenplay)
Starring: Brad Pitt, Jonah Hill, Philip Seymour Hoffman and Chris Pratt

Moneyball is a movie preordained to be an Oscar contender simply by the marketing.  Brad Pitt is in a sports movie, and he’s at his Brad Pittiest.  The odds are in this movie’s favor to be a contender, though, not to win (yet).

Billy Beane (Pitt) would not like that.  He is a man who needs to have the last word, to win the last game.  As the manager of The Oakland A’s, one of the poorest teams in professional baseball, he’s willing to grapple with a new strategy: play by the numbers, not the players.  Along with Yale economics alum Peter Brand (Jonah Hill), they shift the focus of recruiting new players to computer-generated results to acquire overlooked players on the cheap.

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2012 Oscar Nominations: Matt’s Picks

I don’t really take the Oscars seriously, though they are interesting to look at and fun to lambast.  This year’s nominees are chock-full of the typical awards-seeking fodder (War Horse, Extremely Loud and Incredibly Close) and the usual pleasant surprises (Tree of Life, Gary Oldman) and snubs (DiCaprio, Dunst).  These are my picks for this year’s ceremonies, though like I said, I don’t particularly care.

Best Picture

Nominees: War Horse, The Tree of Life, Moneyball, The Artist, Hugo, Midnight in Paris, The Descendants, Extremely Loud and Incredibly Close, The Help

Will Win: The Artist.  It’s a cute gimmick that should’ve been a short film, but I was sold on it winning as soon as people started bringing up that if it won it’d be the first silent to film to win since the actual Silent Era.  Blah blah blah.

Should Win: The Tree of Life was the most ambitious and beautiful film to be released last year, though it was lucky to score a nomination.  I also wouldn’t mind seeing Hugo take top honors.  It does what The Artist tried to do so much better.

Left out: Melancholia, A Dangerous Method, Tinker Tailor Soldier Spy, Certified Copy and Young Adult are all more worthy than most of the nominees.

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Our Favorite Performances of 2011

1. Kirsten DunstMelancholia– In Lars von Trier’s apocalyptic new film, Dunst creates one of cinema’s most fully realized portraits of numbing depression.  In all of her performances, Dunst has shown a skill sometimes greater than the films she is in.  Here, she takes the role of Justine, a woman who self-destructs on her wedding night and takes shelter with her sister as the planet Melancholia goes on a collision course with Earth.  Key Scene: In the deepest part of her depression, Justine even needs help getting down to the dinner table.  Her sister Claire (Charlotte Gainsbourg) made meatloaf, her favorite dish.  When Justine tastes it, her face crumbles, and she says it tastes like ash.  That’s all that will be left of the planet in a couple days, and she can’t wait.

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REVIEW: Moneyball

Moneyball
Directed by: Bennett Miller
Written by: Steven Zaillian & Aaron Sorkin (screenplay)
Starring: Brad Pitt, Jonah Hill, Philip Seymour Hoffman and Chris Pratt

Moneyball is a movie preordained to be an Oscar contender simply by the marketing.  Brad Pitt is in a sports movie, and he’s at his Brad Pittiest.  The odds are in this movie’s favor to be a contender, though, not to win (yet).

Billy Beane (Pitt) would not like that.  He is a man who needs to have the last word, to win the last game.  As the manager of The Oakland A’s, one of the poorest teams in professional baseball, he’s willing to grapple with a new strategy: play by the numbers, not the players.  Along with Yale economics alum Peter Brand (Jonah Hill), they shift the focus of recruiting new players to computer-generated results to acquire overlooked players on the cheap.

Continue reading