ARCHIVE REVIEW: Fat Girl

Fat Girl
Directed by: Catherine Breillat
Written by: Catherine Breillat
Starring: Anaïs Reboux, Roxane Mesquida, Libero De Rienzo, and Romain Goupil

Catherine Breillat is one of the most provocative filmmakers currently working today.  Unlike Michael Bay, though, her cinema is provocative because it is endlessly interesting instead of tedious.  She creates a beautiful world in Fat Girl, though it is by no means an easy film to watch.  On the surface it is an exploration of adolescent female sexuality, but once you peel back the layers it becomes much more than that.

In interviews Breillat talks of her fascination with sisters, and how she likes to explore the idea of two bodies sharing a soul.  If that is the case than the soul in Fat Girl is very much fractured.  Anaïs (Anaïs Reboux) is the title character, a mildly but not extraordinarily obese 12-year-old.  We watch her as she watches her beautiful 15-year-old sister Elena (Roxane Mesquida) lose her innocence on a seemingly innocent vacation fling with Fernando (Libero De Rienzo).

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REVIEW: Captain America

Captain America: The First Avenger
Directed by: Joe Johnston
Written by: Christopher Markus & Stephen McFeely (screenplay), Joe Simon & Jack Kirby (comic books)
Starring: Chris Evans, Hayley Atwell, Hugo Weaving, and Tommy Lee Jones

If you’re sick of super hero or war movies, it might be wise to avoid the inevitable screen adaptation of Captain America.  Slated as the last prequel before next year’s The Avengers, Captain America: The First Avenger takes place the furthest back in time: during World War II.

What’s most curious about The Avenger prequels- Iron Man & Iron Man II, Thor, The Incredible Hulk, this movie-  is how different they are stylistically.  That’s because they were all headed by different directors with different talents.  Thor was at its best when it showed the “fish out of water” aspect of its viking, while the Iron Man movies worked best as vehicles for Robert Downey Jr.’s motormouth delivery.

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REVIEW: 13 Assassins

13 Assassins
Directed by: Takashi Miike
Written by: Daisuke Tengan (screenplay)
Starring: Kôji Yakusho, Garô Inagaki, Masachika Ichimura, and Takayuki Yamada

It turns out the man behind the gruesome yet oddly beautiful Japanese horror film Audition has the blood for hard-boiled samurai action. 13 Assassins has perhaps the most gloriously choreographed battle sequence since Helm’s Deep from Lord of the Rings.  Yes, it is that good.

Outside of that nearly 45 minute slice of cinematic glory is a fairly standard if beautifully shot good vs. evil story.  The aging samurai Shinzaemon (Kôji Yakusho) is taken from his quiet days of fishing and secretly tasked by an official in the Japanese Shogun regime to kill the tyrant Naritsugu (Garô Inagaki), who will take a spot on the council and inevitably disrupt the peace with his war-craving lunacy.

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REVIEW: Harry Potter and the Deathly Hallows: Part 2

Harry Potter and the Deathly Hallows: Part 2
Directed by: David Yates
Written by: Steve Kloves (screenplay), J.K. Rowling (novel)
Starring: Daniel Radcliffe, Rupert Grint, Emma Watson, and Ralph Fiennes

The cheers and tears of millions of fans around the world will signify the end of the era of Potter.  Though the books ended in 2007 (when the fifth film came out), this eighth film installment truly marks the end of J.K. Rowling’s wizard phenomenon.

Harry Potter and the Deathly Hallows: Part 2 abandons much of the atmospheric dread of the past two films in favor of full-on confrontation.  The initial scenes carry that “Calm before the storm” not only narratively but aesthetically as well.  We watch as Snape (Alan Rickman) precedes over fascistic-looking marches at Hogwarts School of Witchcraft and Wizardry with a troubled calm settling on his face.

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REVIEW: Horrible Bosses

Horrible Bosses
Directed by: Seth Gordon
Written by: Michael Markowitz, John Francis Daley, & Jonathan Goldstein (screenplay)
Starring: Jason Bateman, Jason Sudeikis, Charlie Day, and Kevin Spacey

Horrible Bosses is the kind of movie that many critics salivate at the mouth for.  Not because it’s new or groundbreaking, but because it is ripe for potential with title comparisons if it’s awful.

Thankfully,  it is not horrible or even close to it.  Horrible Bosses is an enjoyable but hopelessly flawed comedic exercise.  It is the first feature-length screenwriting effort by its three writers, Michael Markowitz, John Francis Daley, and Jonathan Goldstein.  The movie is very funny, but the story itself is flawed; you feel like the three main actors (Jason Bateman, Jason Sudeikis and Charlie Day) are trying desperately to sell their characters’ reasons for going forward with a drunken idea to kill their bosses.

When you meet their bosses, played by Kevin Spacey, Jennifer Aniston and Colin Farrell, you understand why any employee would be in hell.  They represent different archetypes of awfulness; Spacey is a paranoid power-tripper, Aniston an aggressive nympho, and Farrell a coke-headed buffoon.

Surprisingly, Aniston inhabits her vulgar role so fully that fans of her work in Friends and other movies where she plays Rachel may have to pick their jaws up off the floor.  Spacey also slips into the skin of Dave Harken comfortably, but Farrell struggles to find his footing.  Thankfully he doesn’t have too much time onscreen to really hurt the movie.

Bateman, Sudeikis and Day are a diverse comedic trio that are hit and miss.  Thankfully, most of the gags lie on Day’s shoulders and he gives the movie a much needed punch of energy during scenes like the ones where the group canvass their bosses’ homes.  His energy and the fact that you really can’t see where the movie is going really help divert from its narrative absurdity.

In an American economy faced with uncertainty, a wild ride that has three disgruntled employees throwing up their arms and preparing for the ultimate revenge is an appealing premise for a comedy.  If Horrible Bosses took to the dramatic waters or went the route of a horror movie, it would be troubling.  Director Seth Gordon and the writers wisely stray away from giving any legitimate reason to actually commit murder and make everyone involved a little too incompetent to be taken seriously.

That being said, Horrible Bosses is laced with a wicked sense of humor.  Many will find the ending satisfying because it doesn’t go overboard, which is the goal of any raunchy comedy walking on the edge.

Grade: C+

REVIEW: Transformers: Dark of the Moon

Transformers: Dark of the Moon
Directed by: Michael Bay
Written by: Ehren Kruger
Starring: Shia LaBeouf, Rosie Huntington-Whitely, Frances McDormand, and John Malkovich

There isn’t a negative comment that Michael Bay hasn’t heard.  One of the most critically despised and commercially successful filmmakers in history, he has become a lightning rod for the sorry state of modern Hollywood.

Many critics are bitter because his movies render them utterly useless.  Transformers: Revenge of the Fallen was one of the worst reviewed films in years and also one of the highest grossing.  He injects levels of mind-numbing shock and awe into almost every scene that isn’t establishing the almost non-existent plot in almost all of the movies and Transformers: Dark of the Moon is no exception.

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ARCHIVE REVIEW: The Fountain

The Fountain
Directed by: Darren Aronofsky
Written by: Darren Aronofsky (screenplay), Darren Aronofsky & Ari Handel (story)
Starring: Hugh Jackman, Rachel Weisz, Ellen Burstyn, and Sean Patrick Thomas

There are many movies that are so beautifully filmed that you could take almost any still-frame from it and hang it in your house.  Darren Aronofsky’s The Fountain is one of these movies.  In fact, it may have been better off as individual frames in an art gallery instead of a movie.

This is a film where the filmmaking technique is serving a story that is almost as ambitious but not nearly as realized.  It follows Tommy (Hugh Jackman) a doctor who is trying to cure his terminally ill wife Izzi (Rachel Weisz).  That is the barebones of a story that dips back to ancient Spanish culture as well as travels hundreds of years into the future.  You’ll come to learn that Izzi wrote a book about Spanish conquistadors and the Tree of Life, and when Tommy starts reading it he envisions himself as one who is pursuing the Tree so that he can live forever with the queen (also played by Weisz).

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REVIEW: Bad Teacher

Bad Teacher
Directed by: Jake Kasdan
Written by: Gene Stupnitsky & Lee Eisenberg
Starring: Cameron Diaz, Lucy Punch, Jason Segel, and Justin Timberlake

Who knew that the winds of change would start blowing in formulaic summer comedies?  Last summer, Bad Teacher may have been a sequel to Bad Santa that had Billy Bob Thornton reprising one of his most infamous roles.  Instead, it’s become a female-driven vehicle for Cameron Diaz.

Paired with Bridesmaids, it’s hard to not observe the raunchy tone these women have used to start embedding themselves into the mainstream.  It is worth mentioning that this film was written by men while Bridesmaids was written by women, and it doesn’t really delve into the pathos of any of the women.

The issue of gender is not brought up in either film, which is why it makes them relevant.  Bad Teacher is fairly weak, though; typical hallow summer fare chock-full of some great gags and biting one-liners.  As part of a larger case study, though, it merits mention.

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REVIEW: The Tree of Life

The Tree of Life
Directed by: Terrence Malick
Written by: Terrence Malick
Starring: Brad Pitt, Jessica Chastain, Hunter McCracken, and Sean Penn

You always look at nature a little differently after you see a Terrence Malick film.  This is a man that you suspect has spent a great deal of time wandering through its various forms, envisioning ways to capture its essence.  Of course, all of us outside his friends, family and colleagues can ever do is suspect.  Malick creates his films, and then stays out of the spotlight.

The Tree of Life, his latest meditation on nature by way of the Big Bang, won the Palme D’or at the Cannes Film Festival this year, and the one who was there promoting it was Brad Pitt.  In a way this is fitting since he and Sean Penn are all the marketing team behind this movie will have to promote it with.  It’s likely that countless Americans will attend this film to see Pitt and then be outraged.

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ARCHIVE REVIEW: Batman Begins

Batman Begins
Directed by: Christopher Nolan
Written by: Christopher Nolan & David S. Goyer (screenplay)
Starring: Christian Bale, Michael Caine, Liam Neeson, and Katie Holmes

Christopher Nolan goes the route of Stanley Kubrick in his take on the Batman mythology.  Kubrick was infamous for taking acclaimed works of literature and making them his own, just ask Stephen King.  It’s hard to say what Bob Kane and Bill Finger, Batman’s true origin, would say about Nolan’s origin story.  The colorful world is all but stripped away, replaced with the gritty streets of Gotham City and induced with a tinge of noir.

Though he would go on to create a masterpiece in 2008’s The Dark Knight, Nolan needed to establish his version of this world and the principle characters in it.  In that respect he is mostly successful.

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