The Future Directed by: Miranda July Written by: Miranda July (screenplay) Starring: Miranda July, Hamish Linklater, David Warshofsky and Isabella Acres
What happens to hipsters when they get old? The writer/director/actress Miranda July would argue that there is not a true answer to that question, but it’s just a rather interesting one to ask. In The Future, she ponders the existence of Sophie (July) and Jason (Hamish Linklater), two similar looking thirty-somethings on the brink of the end. They have decided to adopt a cat, which they can take home from the shelter in one month. This is a big decision for them.
In the meantime, the couple realize (after a couple of logical jumps) that this is their last true month of living. Though the cat is likely to live only six months because of its illness, it could live as long as five years. By then, they will be forty, and of course it’s all downhill from there.
Fat Girl Directed by: Catherine Breillat Written by: Catherine Breillat Starring: Anaïs Reboux, Roxane Mesquida, Libero De Rienzo, and Romain Goupil
Catherine Breillat is one of the most provocative filmmakers currently working today. Unlike Michael Bay, though, her cinema is provocative because it is endlessly interesting instead of tedious. She creates a beautiful world in Fat Girl, though it is by no means an easy film to watch. On the surface it is an exploration of adolescent female sexuality, but once you peel back the layers it becomes much more than that.
In interviews Breillat talks of her fascination with sisters, and how she likes to explore the idea of two bodies sharing a soul. If that is the case than the soul in Fat Girl is very much fractured. Anaïs (Anaïs Reboux) is the title character, a mildly but not extraordinarily obese 12-year-old. We watch her as she watches her beautiful 15-year-old sister Elena (Roxane Mesquida) lose her innocence on a seemingly innocent vacation fling with Fernando (Libero De Rienzo).
Bridesmaids Directed by: Paul Feig Written by: Annie Mumolo & Kristen Wiig (screenplay) Starring: Kristen Wiig, Maya Rudolph, Rose Byrne, and Melissa McCarthy
Behold something new in Bridesmaids. It’s possible that such an innovation, which is buried beneath a mound of plot cliches and character types, will go unnoticed by the masses. It is simply this: Bridesmaids takes pieces of the old genres and makes them new. It is the successful merging of the male-targeted buddy comedy with the female-targeted romantic comedy.
When two genres merge, the film either tends to lean hard on one element or another, but Bridesmaids carefully walks the tightrope between both in an effective, hilarious mix.