Five movie characters who are older than they appear

This post is inspired by a recent cameo in X-Men: First Class that confirms for the film series what followers of the comic  have known for a while: Wolverine is older than Professor Xavier.  We thought it’d be fun to take a closer look at characters in movies that are much older than they actually look.

Wolverine (X-Men)- You wouldn’t think Hugh Jackman would be older than Patrick Stewart, but in the superhero universe anything is possible.  As Wolverine, he slices and dices through countless enemies (in a very PG-13 way, of course).  It’ll  come in handy when he needs to wait in line to sign up for Social Security.

Continue reading

BLACKLIGHT: Bradley Cooper

The surprising success and appreciation — the backlash, however, wasn’t a surprise — for our first “Spotlight” series to shine the blacklight on and expose the unimpressive marks of the overrated and overpaid Jenifer Aniston did not go unnoticed. Though with love and a fan base, she has far more charms than Bradley Cooper, who only has hair that doesn’t even compare to Aniston’s or the new Gaga track.  So in this post, he won’t be spared to find five “at least they aren’t that bad films” — mostly because there aren’t any — but to give his most cringe-worthy performances celebrated before he rakes in his Hangover 2 Memorial Day weekend dough. Continue reading

Our Favorite Movies of the 1990s

Looking back on them now, the 90s were the last decade of film.  We mean that in the traditional sense, of course, as fantastic movies (some greater than these impeccable titles) continue to be made to this day.  But the 90s were the last decade of pure film, in the sense that the world had not yet experienced the digital takeover.  Images of sometimes scratched celluloid still grazed movie theaters where stadium seating was not yet the mainstream.  The popular films of the 90s pushed away from the techno mainstream set up by the 80s pop era.  Here is our list of the films that have accomplished the daunting task of surviving; of remaining relevant, entertaining and compelling no matter what year they were released.

1. Pulp Fiction– For many, Quentin Tarantino’s Pulp Fiction is the quintessential 90s film.  The characters embody archetypes of movie misfits past, but they don’t quite belong in those movies anymore.  Here, Tarantino infuses them with dialogue so alive it practically does the work for the camera.  Not content with words, though, we get stunning set pieces like the 50s diner, which is filled with enough pop culture references for five films on its own.  Together with his cast of misfits, including John Travolta, Samuel L. Jackson, Uma Thurman, and Bruce Willis, he created a movie where every single character is now embedded in pop culture history.  The violence, the language, and the story are so off-kilter that they created their own movie universe, one that Tarantino still gleefully operates in.  Narrative structure and good taste are gone with the wind, but that wind also helped usher in a new wave of independent filmmakers into the mainstream.


2. Goodfellas– This is often the first film that comes to mind when you mention Martin Scorsese.  That’s because it is a summation of everything great about him as a filmmaker, and his heightened-realism style has never been more masterful than here.  The down-and-dirty grit of Taxi Driver meets the formal beauty and narrative ambition of The Last Temptation of Christ to form a totally unique filmmaking vision.  It’s a gangster picture like only he could do it, with a cast of violent lowlifes dabbling in the excesses America has afforded them.  They meet their various downfalls as gruesomely as you would expect.  The narration from various characters over the action was unprecedented at the time, and a tool Scorsese would bring back in films like Casino and The Departed.  Filled to the brim with memorable scenes, from the masterful tracking shot through the backdoor of a night club to the hallucinatory helicopter fleeing.  Along with his now-iconic cast of Ray Liotta, Robert DeNiro, Joe Pesci, and Lorraine Bracco, Scorsese created an Italian mob film deserving of mention in the same sentence as The Godfather.

Continue reading

Five Awesome Movie Moms

Good movie moms often go unrecognized.  The past two years, the Best Supporting Actress Oscar has gone to two mother monsters (not Lady Gaga) who give the role kind of a bad name.  So, to celebrate Mother’s Day, we take a look at some moms who either kill their children with kindness, or literally kill for them.

The Bride (Kill Bill)- As played by Uma Thurman, The Bride spends all of the first Kill BIll movie thinking her daughter is dead.  The second half of Volume 2 delves more into their relationship and adds some disarming humanity to the story.  Here’s a mom who takes time out of finishing her revenge conquest to lay in bed and watch Shogun Assassin with her daughter.  If that’s not a great mom, I don’t know what is.

Continue reading

TRAILER REVIEW: Melancholia

Melancholia
Directed by: Lars von Trier
Written by: Lars von Trier
Starring: Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland, and John Hurt

With a reputation built on shocking even those who know he’s after more than that, Lars von Trier is set to debut his latest, “A beautiful movie about the end of the world,” at this year’s Cannes Film Festival.  Melancholia is the act following Antichrist, the director’s disturbingly violent take on the horror genre.

All of von Trier’s fictional films since 1991’s Europa have centered on women being repressed by men, one of whom is often von Trier himself.  Melancholia looks no different, with Kirsten Dunst primed to take the role of Justine, a woman about to be married when the world begins to end.

Continue reading

Summer Box Office Predictions 2011

1. Transformers: Dark of the Moon

Release date: June 29

Plot summary: The Autobots are back in action after discovering a Cybertronian spacecraft hidden on the Moon. They find themselves racing with the Decepticons to reach it and learn its secrets in order to ultimately save the human race in some form.

Why it will rule: The first Transformers movie was a $320 million hit and the second skyrocketed to a $410 million hit. Both of those movies were without the third dimension however, which is likely to add somewhere near an additional 25% to box office receipts. Dark of the Moon will enjoy a few of the finer luxuries summer has to offer: an IMAX slot and the Fourth of July weekend it usually dons. Director Michael Bay promises to not necessarily make the third film bigger than Revenge of the Fallen, but darker and more emotional, getting into the mythos and character development, something Nolan has faired well from at the box office.

Why it will fail: Michael Bay has never made a dark, emotional movie with character development in his career. Audiences saw what a car wreck Revenge of the Fallen was and it was panned by every known critic. Given what information is known about the plot and teaser, we have no reason to believe Dark of the Moon will be any different from the first two, except that it will be sans Megan Fox, the eye candy that seemed to bring in salivating young males by the droves. Another critical disaster and story-less film may not be a box office pounding for Bay, but it also isn’t going to be the same out of the world hit unless the trailer is another Linkin Park jammed visual trip.

Estimated box office: $120 million OW / $385 million domestic

2. Harry Potter and the Deathly Hallows Part II

Release date: July 15

Continue reading

If they were in television… Wes Craven

Notable films: Nightmare on Elm Street, Scream, Last House on the Left, The Hills Have Eyes, Red Eye

Famous for: Horror with American allegory, heavy amounts of blood and gore, genre subversion, self-aware horror, torturing a female lead and sometimes letting her live.

Hypothetical title: Euro

Hypothetical premise: Honors student Jane is in the transitional summer between high school or college and has just been informed that her job at the ice cream station has been terminated because it is going out of business.  With absolutely nothing tying her down, she decides to fly to Europe for the summer with her two best friends.  This is set up in the first few episodes.

Continue reading

5 Favorite Film Fools

Last April Fools’ Day, we gave you five movies that fooled you. This year, we thought it’d be a good idea to let the viewer have the last laugh.  The annals of film history are filled with characters that we enjoy purely because of their stupidity.  They don’t know they’re stupid, and that is the root of their comedy.  Here are five memorable screw-ups who wouldn’t be better any other way.

Tommy (Tommy Boy)– Chris Farley made a career (far too short of one at that) out of playing the lovable buffoon.  His most memorable role is opposite David Spade’s dry, no-fun business partner named Richard in this now-iconic buddy film.  It wasn’t anything new when it came out, but it’s one of the funniest road films of the 90s, and arguably of all time.  Farley outdoes himself for idiocy, whether it’s pretending to be surrounded by bees to evade the cops or taking down Dan Aykroyd’s tire tycoon by pretending to be strapped with a bomb.  In the end he saves the day, but he’s not any smarter.

Continue reading

SPOTLIGHT: Jake Gyllenhaal

His upcoming role in Duncan Jones’ second film Source Code is just around the corner and sounds similar to a few too many movies we have seen before like the recent The Adjustment Bureau. With trust in Jones, who brilliantly crafted 2009’s Moon, the movie may be a big hit for Gyllenhaal following his series of duds like Brothers, Prince of Persia and Love and Other Drugs.

 

Gyllenhaal broke out after his role in October Sky, landing him a role as the iconic Donnie Darko. In his early years he played the mysterious, troubled boy in transition with subtle angst that defined his generation so well. Gyllenhaal has only had one real commercial hit with the doomsday dud The Day After Tomorrow, and instead has found himself success in mid-budget films that allow him to capitalize on his ability to be the desired lead or play on his boyish masculinity like Jarhead, Brokeback Mountain and Zodiac. With only really a decade of acting under his belt, Gyllenhaal has managed to star in a handful of great films.

Donnie Darko– It is easily Gyllenhaal’s most iconic and recognizable role of his career. The cult film was initially slated for direct-to-video before being picked up at the last minute. Even so, the film was a commercial flop until a few years later when it picked up on the DVD market; especially given Gyllenhaal began breaking out with bigger, more mainstream films. Darko is a great, small science fiction film with a twist ending mainstream audiences crave. Gyllenhaal begins all his career staples here, playing the troubled boy dealing with pressures of the world.

Continue reading