ARCHIVE REVIEW: A Touch of Spice

A Touch of Spice
Directed by: Tassos Boulmetis
Written by: Tassos Boulmetis
Starring: Georges Corraface, Ieroklis Michaeldis and Renia Louizdou

With its delayed arrival to the United States, the Greek made film, A Touch of Spice, comes off as a half-baked concoction ready for the Sunday late night line-up on the Lifetime network instead of the hungry mouths for creative, cultural cinema. Even if one can overlook the cheesy puns that might ensue in this review, they probably can’t stomach the over-cooked, nonstop food aphorisms stuffed in this snorer of a foreign film.

A Touch of Spice is the semi-autobiographical tale of Greek writer/director Boulmetis, following his vision for the mix of life lessons and cooking.  He is certainly no Julia Childs; so don’t be fooled there. His story focuses on Fanis, a young boy who grows up in his grandfather’s spice shop in Istanbul during the Turkey-Greece turmoil over the Island of Cyprus. In his grandfathers spice shop, he learns many things, like how different spices in cooking convey certain moods, tones and feelings, how they are symbolic for different planets or how they can bring together or tear apart family, neighbors and nations. Yes, all from spices.

As clever and endearing as that may sound, it is all overbearing. Cooking scene after cooking scene and aphorism after aphorism, there are no breaks to the overbearing advice. Fanis’ grandfather tells him Venus is like cinnamon, because both are bitter and sweet like all woman. Even if this is a bogus eye roller, it might be representative of Greek culture at the time, but the film doesn’t let it do that. Instead it preaches… and preaches. Relentlessly.

Divided into three segments, you guessed it, appetizers, main course and desserts, Fanis and his family are moved to round two after being deported by the Turkish government for being Greek citizens, leaving his grandfather and childhood crush behind. During the entre, Fanis takes strongly to cooking, worrying his family. Years later, after going from army chef to astronomy professor somewhat miraculously, Fanis revists his ailing grandfather and child love, contemplating the life lessons he learned growing up through food.

Beyond flavor, food may have rich cultural context, but linking it to political, historical and social issues is a new approach. It is interesting, indeed, but perhaps if it wasn’t so… I don’t know… overcooked, one might be able to overlook the deathly sappy and dull score, the cardboard characters, the made for TV aesthetics and find the wisdom to be as touching as intended.

Grade: D-

REVIEW: Super 8

Super 8
Directed by: J.J. Abrams
Written by: J.J. Abrams
Starring: Joel Courtney, Elle Fanning, Kyle Chandler and Riley Griffiths

Science fiction might be a genre that appears to always be looking ahead, embracing the latest 3D technology, CGI backgrounds or scientific discoveries; but at its core it has always looked at its influences and initial pioneers to give direction to stories that span light years, universes or complex human-political analogies away.

With the names J.J. Abrams and Steven Steven Spielberg attached to a summer monster movie, it appeared we’d be expecting the same expectations-breaking story: big blockbuster, big effects, big noises and big disappointment. Collaborations like Spielberg and Bay’s Transformers series didn’t give us much hope, but Abram’s recent works like Star Trek certainly did. A young gun with a visual track record and a producer with the know-how is a great comparison to Peter Jackson apprenticing Neil Bloomkamp with his District 9, which isn’t the only comparison Super 8 draws with the movie.

To put it briefly: instead of attempting to rewrite the genre as Abrams has done with TV, they flip the pages back, finding the core and simplicity in great story telling with a soft $50 million budget. Continue reading

If they were in television… JJ Abrams

Notable films: Mission Impossible III and Star Trek.

Famous for: Breathing new life in old franchises, science fiction, character focused drama in big-budget actions, well-orchestrated visuals, brightly-lit sets even for dark materials, the hit TV show Lost and other serialized television work.

Hypothetical title: Aftermath Continue reading

ARCHIVE REVIEW: Never on Sunday

Never on Sunday

Directed by: Jules Dassin
Written by: Jules Dassin
Starring: Melina Mercouri, Jules Dassin and Giorgos Foundas

Once a winner at Cannes, the Oscars and countless Greek award ceremonies and festivals, the 1960 Greek film Never on Sunday cleverly bypassed censorship and introduced a bridge between America and the mysterious culture of the Greek people.

Never on Sunday focuses on Ilya, a, dare I say it… whore. Though this prostitute is far different from the American portrayal of sex-for-money broken, diseased women. Ilya is beautiful, radiant, loved and respected by all the men, sailors and other prostitutes in her seaside town. She doesn’t name prices; she picks them along with her men. Shouldn’t she get to pick her clientele? She is the embodiment of the highlights of Greek culture. Her world is filled with adventure, sexual liberation, dance, music, drinking and the company of generous, hard working Greek men who adore her. Continue reading

BLACKLIGHT: Bradley Cooper

The surprising success and appreciation — the backlash, however, wasn’t a surprise — for our first “Spotlight” series to shine the blacklight on and expose the unimpressive marks of the overrated and overpaid Jenifer Aniston did not go unnoticed. Though with love and a fan base, she has far more charms than Bradley Cooper, who only has hair that doesn’t even compare to Aniston’s or the new Gaga track.  So in this post, he won’t be spared to find five “at least they aren’t that bad films” — mostly because there aren’t any — but to give his most cringe-worthy performances celebrated before he rakes in his Hangover 2 Memorial Day weekend dough. Continue reading

REVIEW: Pirates of the Caribbean: On Stranger Tides

Pirates of the Caribbean: On Stranger Tides
Directed by: Rob Marshall
Written by: Ted Elliot and Terri Rossio
Starring: Johnny Depp, Geoffrey Rush, Penelope Cruz, Ian McShane

It’s been four years since the last ‘Pirates’ movie sailed to the top of the summer box office, yet it doesn’t feel like its been all that long ago since we’ve been on a journey with Captain Jack Sparrow.

In eight years, there have been four films, three grossing a staggering $2.6 billion at the box office and presumably even more money in merchandising and licensing for Disney. All from a theme park ride.

Certainly poised to make somewhat less than the others due to age, competition and feelings on the third film, On Stranger Tides will still be a hit despite the harsh reviews rolling in from critics. Continue reading

ARCHIVE REVIEW: No Strings Attached

No Strings Attached
Directed by: Ivan Reitman
Written by: Elizabeth Meriwether
Starring: Natalie Portman, Ashton Kutcher, Kevin Kline

Now more than ever is it hard to believe that the director of rich character pieces like Juno and Up in the Air is the descendant of Ivan Reitman, the director who gave us Ghost Busters, My Super Ex Girlfriend and now this movie.

While his son Jason Reitman frequents himself at award ceremonies for his films with scripts — ones that he often writes himself and is noted for — and story that go beyond his contemporary and minimalistic filming style, Ivan has been piling up money directing a handful of forgettable film and producing even more.

His latest work is No Strings Attached, a film no different from the rest. Pairing Ashton Kutcher with recent Academy Award winner Natalie Portman in Hollywood’s latest “just friends who have sex” romantic comedy. The trend of these films is at a jam-packed time, with Love & Other Drugs and this summer’s Friends With Benefits­. The latter bringing Justin Timberlake and Portman’s Black Swan co-star Mila Kunis together for a similar sexploitation. Continue reading

Summer Box Office Predictions 2011

1. Transformers: Dark of the Moon

Release date: June 29

Plot summary: The Autobots are back in action after discovering a Cybertronian spacecraft hidden on the Moon. They find themselves racing with the Decepticons to reach it and learn its secrets in order to ultimately save the human race in some form.

Why it will rule: The first Transformers movie was a $320 million hit and the second skyrocketed to a $410 million hit. Both of those movies were without the third dimension however, which is likely to add somewhere near an additional 25% to box office receipts. Dark of the Moon will enjoy a few of the finer luxuries summer has to offer: an IMAX slot and the Fourth of July weekend it usually dons. Director Michael Bay promises to not necessarily make the third film bigger than Revenge of the Fallen, but darker and more emotional, getting into the mythos and character development, something Nolan has faired well from at the box office.

Why it will fail: Michael Bay has never made a dark, emotional movie with character development in his career. Audiences saw what a car wreck Revenge of the Fallen was and it was panned by every known critic. Given what information is known about the plot and teaser, we have no reason to believe Dark of the Moon will be any different from the first two, except that it will be sans Megan Fox, the eye candy that seemed to bring in salivating young males by the droves. Another critical disaster and story-less film may not be a box office pounding for Bay, but it also isn’t going to be the same out of the world hit unless the trailer is another Linkin Park jammed visual trip.

Estimated box office: $120 million OW / $385 million domestic

2. Harry Potter and the Deathly Hallows Part II

Release date: July 15

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SPOTLIGHT: Jake Gyllenhaal

His upcoming role in Duncan Jones’ second film Source Code is just around the corner and sounds similar to a few too many movies we have seen before like the recent The Adjustment Bureau. With trust in Jones, who brilliantly crafted 2009’s Moon, the movie may be a big hit for Gyllenhaal following his series of duds like Brothers, Prince of Persia and Love and Other Drugs.

 

Gyllenhaal broke out after his role in October Sky, landing him a role as the iconic Donnie Darko. In his early years he played the mysterious, troubled boy in transition with subtle angst that defined his generation so well. Gyllenhaal has only had one real commercial hit with the doomsday dud The Day After Tomorrow, and instead has found himself success in mid-budget films that allow him to capitalize on his ability to be the desired lead or play on his boyish masculinity like Jarhead, Brokeback Mountain and Zodiac. With only really a decade of acting under his belt, Gyllenhaal has managed to star in a handful of great films.

Donnie Darko– It is easily Gyllenhaal’s most iconic and recognizable role of his career. The cult film was initially slated for direct-to-video before being picked up at the last minute. Even so, the film was a commercial flop until a few years later when it picked up on the DVD market; especially given Gyllenhaal began breaking out with bigger, more mainstream films. Darko is a great, small science fiction film with a twist ending mainstream audiences crave. Gyllenhaal begins all his career staples here, playing the troubled boy dealing with pressures of the world.

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