Our (Belated) List of Favorite Movie Directors

1. Martin Scorsese- It may seem unimaginable that nearly three years ago director Martin Scorsese had yet to hold an Academy Award in his hands, but it is the disappointing truth. The once would-be Catholic priest entered the film making world with hits like Boxcar Bertha and Mean Streets which put him at the forefront of New Hollywood with his violent, audience-specific films. Though Francis Ford Coppola felt he was unfit to helm The Godfather: Part III, Scorsese quickly overshadowed Coppola to become an icon of his own, creating films filled with themes related to violence, machismo, Italian-American identity, immigration, Catholicism and New York City. Five decades of classics like Taxi Driver, Raging Bull, Goodfellas and The Departed, Scorsese set a style of quick editing, rock and roll soundtrack and frequent collaboration with actors and editors who claim Scorsese to be a living encyclopedia of film history. The film that did it for us: Though he’s created modern epics including a personal favorite, Gangs of New York, Scorsese’s talents are most apparent in Taxi Driver, a film with some of the most carefully constructed technical detail and powerful themes of isolation, violence, sex and how they are related and lead to destruction.

2. Stanley Kubrick– One of the unprecedented visual artists in all of cinema, it’s hard to not love movies when Stanley Kubrick makes them.  His gift for telling a compelling story is aided by those infamous distant shots, able to encompass the idiocy in The War Room (Dr. Strangelove) or gravity-defying in the great beyond (2001: A Space Odyssey).  He never told the same story twice, but each film carries with it his distinct visual flair,  helping him to create some of the most fully realized worlds the movies have ever seen.  Kubrick is one of the biggest influences on American cinema not only because of his artistic genius, though.  His ruthless dedication to his vision of the material led to feuds with his actors and the writers of the source material (both on The Shining.)  Perfectionism is costly, but with it he created many things that are, in fact, perfect.  The film that did it for us: There’s never been a more beautifully filmed comedy than Dr. Strangelove, and there are few as horrific.

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Five movies to watch with a group

As the summer months begin for college students across the country, one of the movies’ prime profit seasons is upon us.  People go out in droves to see the latest Hollywood blockbusters with their friends.  Those art-house films of the fall stay on the shelves, as people enjoy big-budget entertainments with their friends and family.  Here then are my five picks for 5 movies that are enhanced with entertainment when you watch them with other people. Whether they make you laugh, cry or drop your jaw in amazement, you will either enjoy these movies better with a group or be able to endure them better because you are with other people.

1.  Superbad- Perhaps the most defining comedy of this generation, the outrageously explicit comedy from director Greg Montolla stars a teen comedy ensemble on rank with that of The Breakfast Club.  The laughs are constant as three friends try to score booze for a party in order to get laid.  That may turn off many sophisticated, stuffy types, but more honesty is fleshed out over the course of these two hours about the modern teen condition than almost any other movie made for that audience.  Add in the iconic McLovin’, and you have a non-stop laugh riot that will endure for years to come.

2. Kill Bill Vol. 1- Though it’s hard to put this movie on a list without its equally excellent Vol. 2, you cannot deny the crowd-pleasing intensity of Quentin Tarantino’s genre-blended bloodbath.  From the beginning, you get one of the most well constructed action films of the past 20 years as well as a story simple enough to keep track of while still chatting with those around you.  If the gory showdown at the House of Blue Leaves doesn’t have everyone’s jaw dropped by the end of it, you’re probably hanging with the wrong crowd.

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This City is Cinematic: Ten Cities for Independent Filmmaking

Thanks to the digitalization of the film industry, one no longer has to live in Los Angeles or New York to become a filmmaker. Now the auteurs are able to plan, produce and cut their films in just about any city in the world without needing the Hollywood studio lots and financing to back up. With many cities and states seeking to cut away from LA’s business, they’ve been implementing tax breaks and resources which make things a little easier for the independent filmmaker.

For the past ten years Movie Maker magazine has been posting a list of the ten best cities to live, work and make movies for independent filmmakers. Recently, they have published their list of cities for 2010, which can be seen in their latest article here. CyniCritics looks at what these cities have put out recently and what their locations can be ideal for.

1. Albuquerque, New Mexico

What’s been filmed there: The Book of Eli, Terminator Salvation, Crazy Heart, The Men Who Stare at Goats, Transformers 2, Sunshine Cleaning, No Country for Old Men, Little Miss Sunshine and 21 Grams

Who used it best: The Cohen Brothers in No Country for Old Men

Ideal for:  Desert settings, possible Iraqi war films, post-apocalyptic films Continue reading

If they were in television… Quentin Tarantino

Image courtesy of Fused Film

When I heard that the venerable Martin Scorsese would be the executive producer and director of the new HBO show Boardwalk Empire this fall, it got me thinking.  What would other directors do with the expanded storytelling capability of television?  So I’ve decided to start a new segment dedicated to analyzing what an acclaimed film maker would do with a whole season (12-13 one hour episodes) on HBO or Showtime.  I pick those networks because they are the only ones where you can be uncensored like the directors in their films.

Director: Quentin Tarantino

Notable Films: Pulp Fiction, Death Proof, Kill Bill Vol. 1 & 2, Reservoir Dogs, Jackie Brown, and Inglourious Basterds.

Famous For: Poetically vulgar dialogue, messing with structure, fetishized violence, sympathetic criminal characters, melding genres the average person doesn’t know exist.

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Oscar Predictions: A Second Take

CyniCritcs reviewer Matt Erspamer posted his Oscar predictions and hopefuls a while ago here. For a second opinion on the main categories and a look at some of the technical awards, Luke Miller posts his picks and favorites here.

Best Picture

Avatar

The Blind Side

District 9

An Education

The Hurt Locker

Inglourious Basterds

Precious

A Serious Man

Up

Up In the Air

Will Win: The Hurt Locker. Avatar may have audiences at home swooned away with its big glitzy effects, but with the new preferential voting system in place, The Hurt Locker has a lot less haters than Avatar which makes me believe it will be found on more number two and three place ballots of those who get cut in the early rounds. Avatar winning at this point would be one big upset after losing at the PGA, WGA, DGA and BAFTA which are all huge precursors to the Oscars.

Should Win: Up In the Air. I can’t really summarize how great this film is without ranting into a whole essay. You can read about it here in my review however.

Left Out: The following films that are better than The Blind Side: Star Trek, Away We Go, Moon, (500) Days of Summer, Public Enemies, State of Play, The Road, or Where the Wild Things Are. Personally, I would have chosen a comedy to put in this bunch and Away We Go had the best blend of funny and heart to rank it up with Juno or Little Miss Sunshine. Continue reading

BEST PICTURE NOMINEE: Inglourious Basterds

Image courtesy of IMDB

Inglourious Basterds
Directed by: Quentin Tarantino
Written by: Quentin Tarantino (screenplay)
Starring: Brad Pitt, Christoph Waltz, Mélanie Laurent, Eli Roth, and Diane Kruger

I consider myself to be a rather big fan of Quentin TarantinoPulp Fiction, Kill Bill, and Jackie Brown all have their place on my list of favorite movies.  I am disheartened to announce, then, that Inglourious Basterds is without a doubt Mr. Tarantino’s worst film.

By no means does this mean it’s a bad film, it just lacks that all-important vibe of urgency and humanity that brings his other genre pieces to such vivid, unmistakable life.  Is it cool?  Sure.  Is it entertaining?  You bet your ass it is.  But it just doesn’t resonate.  I watched it in the theater and then kind of forgot about it until it was coming out on DVD.  It’s like Avatar in that way.  I liked it, but I won’t remember it.

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