ARCHIVE REVIEW: Superbad

Superbad
Directed by: Greg Mottola
Written by: Evan Goldberg
Starring: Jonah Hill, Michael Cera, Emma Stone, Seth Rogen

For the sake of our generation and the half-baked high school sex comedies that work (or won’t) to define it, there is an artist who is making sure that our comedies won’t be remembered by sex with pie, hangovers, ogres or those Sex and the City girls.

In Superbad he is only credited as a producer, but the film is loaded with a posse of writing partners, actors and talent who’ve all hitched their wagons to his success. It also resonates the style of the writer/director/producer in terms of narrative aesthetics, vulgar content, sentiment, male ego and penis jokes which he has vowed in every one his projects.

Judd Apatow, soon after finding endless success as a producer for Will Ferrell filth and once-roommate Adam Sandler, began rewriting Hollywood’s biggest scripts and becoming a critically adored creator of The 40 Year Old Virgin and Knocked Up, started a brand for himself in comedy which now rivals John Hughes or Ben Stiller. Up until Superbad it’s all been for grown-ups (thankfully not with that latest Sandler hit, Grown Ups).

With Superbad, the Apatow market finally starting serving minors. Continue reading

Five movies to watch with a group

As the summer months begin for college students across the country, one of the movies’ prime profit seasons is upon us.  People go out in droves to see the latest Hollywood blockbusters with their friends.  Those art-house films of the fall stay on the shelves, as people enjoy big-budget entertainments with their friends and family.  Here then are my five picks for 5 movies that are enhanced with entertainment when you watch them with other people. Whether they make you laugh, cry or drop your jaw in amazement, you will either enjoy these movies better with a group or be able to endure them better because you are with other people.

1.  Superbad- Perhaps the most defining comedy of this generation, the outrageously explicit comedy from director Greg Montolla stars a teen comedy ensemble on rank with that of The Breakfast Club.  The laughs are constant as three friends try to score booze for a party in order to get laid.  That may turn off many sophisticated, stuffy types, but more honesty is fleshed out over the course of these two hours about the modern teen condition than almost any other movie made for that audience.  Add in the iconic McLovin’, and you have a non-stop laugh riot that will endure for years to come.

2. Kill Bill Vol. 1- Though it’s hard to put this movie on a list without its equally excellent Vol. 2, you cannot deny the crowd-pleasing intensity of Quentin Tarantino’s genre-blended bloodbath.  From the beginning, you get one of the most well constructed action films of the past 20 years as well as a story simple enough to keep track of while still chatting with those around you.  If the gory showdown at the House of Blue Leaves doesn’t have everyone’s jaw dropped by the end of it, you’re probably hanging with the wrong crowd.

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REVIEW: Kick-Ass

Kick-Ass
Directed by: Matthew Vaughn
Written by: Jane Goldman & Matthew Vaughn (screenplay), Mark Millar & John Romita Jr. (comic book)
Starring: Nicolas Cage, Christopher Mintz-Plasse, Aaron Johnson, and Chloe Moretz

The way Kick-Ass was marketed, you’d never know what it was about.  It could be the next raunchy teen comedy, a Scary Movie iteration with super heroes, or a campy exploitation flick.  After seeing this movie, I now know why they could not market it efficiently.  Kick-Ass is all of the aforementioned things, struggling much like a super-hero to find an identity.  At it’s best, it is a rocking reinvention and exploitation of the super hero mythos.  At it’s worst, it is a formulaic teen comedy with shock value language dueling with shock value violence.

The premise of the film is interesting enough.  With caped crusaders invading our pulp culture like cockroaches, why has no one in the real world donned a mask and set out to fight crime?  Dave Lizewski (Aaron Johnson) plays the nerdy philosopher who comes up with this idea, and decides to take action.  He becomes Kick-Ass, a scuba-suit wearing crime fighter who is stabbed and beaten to a pulp his first night on the job.  The answer to his earlier question is answered early on.

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