1. The Tree of Life– Terrence Malick’s epic tone poem weaves in and out of the life of a typical American family in 1950s Texas, zig-zagging between the creation of the universe and the afterlife in the process. By placing the location of his own childhood at the center of these celestial events, he puts a very personal spin on his warring perceptions of creation; the way of nature and the way of grace. As his camera weaves in and out of the O’Brien family’s lives (a three son household run by Brad Pitt’s nature and Jessica Chastain’s grace), the element of visual improvisation makes their everyday life and afterlife beautiful. Even if you hated it, you’ll never forget it. Read our review.
2. Certified Copy- Unexpected in every way, the romance film by Iranian director Abbas Kiarostami follows two strangers as they meet up in Tuscany one afternoon and divulge into their passionate opinions on art, originality, philosophy and love. Over the course of a single afternoon, their relationship takes twists and turns, leaving the audience in awe of the puzzle laid out before them and clinging to the aesthetic beauty of its settings and characters to reveal clues. Sophisticated filmmaking technique brilliantly interlaces heavy academic, multilingual conversation with a flowing narrative to sculpt this as one of the most unique and thought-provoking films of the year. Read our review.
1. Kirsten Dunst– Melancholia– In Lars von Trier’s apocalyptic new film, Dunst creates one of cinema’s most fully realized portraits of numbing depression. In all of her performances, Dunst has shown a skill sometimes greater than the films she is in. Here, she takes the role of Justine, a woman who self-destructs on her wedding night and takes shelter with her sister as the planet Melancholia goes on a collision course with Earth. Key Scene: In the deepest part of her depression, Justine even needs help getting down to the dinner table. Her sister Claire (Charlotte Gainsbourg) made meatloaf, her favorite dish. When Justine tastes it, her face crumbles, and she says it tastes like ash. That’s all that will be left of the planet in a couple days, and she can’t wait.
Certified Copy Directed by: Abbas Kiarostami Written by: Abbas Kiarostami (screenplay) Starring: Juliette Binoche and William Shimell
Romance in the movies typically unfolds or unravels before us; there are Meet Cutes and ugly break-ups. Certified Copy, a masterful film from Iranian director Abbas Kiarostami, is both of those things, and then inevitably neither of them.
The film chronicles the relationship between Elle (Juliette Binoche) and James (William Shimell), two people who seem to meet in Tuscany for some kind of gathering while James is on a book tour, and then as the movie progresses, you realize the true depth of their relationship. At first it shares much in common with Richard Linkletter’s Before Sunset, but the true challenge of this film is filling in the back story, whereas Linkletter’s film was a sequel of sorts.