Tag Archives: Leonardo DiCaprio

SPOTLIGHT: Leonardo DiCaprio

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One of the biggest box office cash-ins in Hollywood today is also one of the boldest talents.  The career of Leonardo DiCaprio has had many growing pains, but now that he’s grown up and knows exactly what he wants out of his career, he appears unstoppable.  His gift is to take us inside the often harrowing mind of the male psyche by manipulating and subverting the things that make people sympathize with it.  He often yearns for connection in his films, whether it be from an unrequited love (Inception, Shutter Island) or just a human to be normal around (The Departed), he takes us to these places with ferocious skill and unbreakable humanity.  Rarely does he crack a smile these days, but that makes them all the more meaningful when he does.  If there is any hope that the art house can continue to have a big budget, it’s because stars like him appreciate the art they work in, and not just the huge salary it gives them.

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REVIEW: J. Edgar

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J. Edgar
Directed by: Clint Eastwood
Written by: Dustin Lance Black (screenplay)
Starring: Leonardo DiCaprio, Armie Hammer, Judi Dench and Naomi Watts

Two men are fighting over a woman.  One declares that he may in fact be ready for a wife, while the other, in a fuming rage, declares that he cannot marry that woman.  He smashes some glasses and throws the first punch.  Not to be outdone, the other man fights back with all his strength, but to no avail.  The other man has him pinned to the ground.  And then they kiss.

That is the climax of J. Edgar, Clint Eastwood’s latest directorial endeavor and the sliest genre subversion since his masterful acting/directing one-two punch in 2008’s Gran Torino.  He is of course filming the illusive FBI titan J. Edgar Hoover, who here is embodied by Leonardo DiCaprio in his finest screen performance.

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BEST PICTURE NOMINEE: Inception

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Inception
Directed by: Christopher Nolan
Written by: Christopher Nolan
Starring: Leonardo DiCaprio, Ellen Page, Joseph Gordon-Levitt, and Marion Cotillard

Waves crashing to shore, then a body; these are both one of the first things we see in Inception, and one of the last.  Christopher Nolan’s highly anticipated dream-thriller may wow you with its visual prowess, dazzle you with its high-ended concepts, and intrigue you with its heist-style head invading, but it has a typical Hollywood-style circular structure.

If it sounds like I’m already being hard on Nolan and his predetermined masterpiece, it’s only because you need to know right off the bat that it does not reinvent cinema the way its publicity campaign suggested.

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Deception: The Conceptual Complexity of ‘Inception’

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Prior to its release Inception had a wave of good publicity that put it on track to become the masterpiece and game changer brought to you by Christopher Nolan, the visionary behind The Dark Knight and the storyteller behind Memento.

In The Dark Knight Nolan reinvented the blockbuster, merging old school visual techniques with the best equipment and talent along with magnificent thematic storytelling. In Memento Nolan rewrote the rules of Hollywood narrative structure. In Inception Nolan was supposed to combine big budget with big ideas, but did he succeed?

For the most part reviewers have been saying no, and for good reason. The movie is long and spends a great portion of the beginning explaining its plot complexities, the rules and regulations of dream hopping, which can be boring and tedious with the absence of real action. Some have attacked the premise as being not as original as audiences think, stating that Inception’s silent homage to The Matrix or Shutter Island are rip-offs. In fact most of the backlash coming from critics stems from concept, which is confusing because concept is the strongest asset to the film. Picking out the flaws in length, lack of action, miscasting of Page, the mild performances, poor characterization or underdevelopment of Cotillard’s Mal character would be more fair arguments. Continue reading →

REVIEW: Inception

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Inception
Directed by: Christopher Nolan
Written by: Christopher Nolan
Starring: Leonardo DiCaprio, Ellen Page, Joseph Gordon-Levitt, and Marion Cotillard

Waves crashing to shore, then a body; these are both one of the first things we see in Inception, and one of the last.  Christopher Nolan’s highly anticipated dream-thriller may wow you with its visual prowess, dazzle you with its high-ended concepts, and intrigue you with its heist-style head invading, but it has a typical Hollywood-style circular structure.

If it sounds like I’m already being hard on Nolan and his predetermined masterpiece, it’s only because you need to know right off the bat that it does not reinvent cinema the way it’s publicity campaign suggested.

Many reviews have pointed out all of Nolan’s influences (2001: A Space Odyssey, The Matrix) and for good reason: Inception is chock full of moments where anyone who’s seen a sci-fi movie will chuckle to themselves.

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If they were in television… Christopher Nolan

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Notable films: Memento, Batman Begins, The Prestige and The Dark Knight

Famous for: Stories grounded in realism, alterations to linear narrative structure, psychological themes, usage of symbolism, old school special effects with minimal CGI, excellent casting of prominent actors and dressing pretty classy, even on set.

Hypothetical title: Nostalgia

Hypothetical premise: Two young brothers are the only children of their parents. One is a charming, fair haired child and often the favorite of the parents because of his cleverness and personality. The other, a dark haired deviant child who often loses the affection of his parents due to his shortcomings when compared to his brother. The parents die when the boys are in their early adulthood, forcing the favorite and older to take over the family estate and the other treated as a child. Although the story does not mainly take place in this past, the flashbacks do.

In modern times, the dark haired brother is an unaccomplished writer and the blonde is a well-noted novelist, mostly for poaching the ideas of his brother while they were young. Following their career successes, failures and rivalries, the show digs into where the stories come from during their childhood, the death of their parents and how they can learn to travel back into those memories with their writing, meaning memories may not exist at all. Continue reading →

Inception’s Early Reviews: It’s Just the Beginning

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Among the endless and plaguing remakes, reboots and sequels which Hollywood has been chastised for earlier in our State of the Box Office, comes a willing, bold beacon of hope to rise up against the order of Hollywood and save the summer from a single state of mind, a breath of fresh air, a sneaking guardian, a… dark knight perhaps?

Maybe. At least that is the word so far.

Early reviews for Christopher Nolan’s latest mind-bender are calling the Memento, The Prestige and The Dark Knight creator’s newest film “easily the most original movie idea in ages.” Peter Travers from Rolling Stone rated the film three and a half out of four stars, complimenting Nolan’s audacity in storytelling, visuals and ambitions. The Hollywood Reporter, Variety and a handful of other notable publications have all joined the bandwagon, commending the film for skipping CGI for in-camera photo-realistic imagery, its grand multi-reality setting and complex narrative. Continue reading →

ARCHIVE REVIEW: Gangs of New York

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Gangs of New York
Directed by: Martin Scorsese
Written by: Jay Cocks
Starring: Leonardo DiCaprio, Daniel Day-Lewis, Cameron Diaz, John C. Reilly

In its early ages, New York City was a dirty, filthy, muddled mess, sprawling over an untamable piece of land, controlled nothing more than the violent, greedy people who were trying to civilize it. With immigration and war on the rise, it was growing faster than ever, more torn that ever and more important than ever. Despite the bloodshed, it bloomed with the nation, undertaking a rapid transformation that would summarize America’s birth and stay in the world. In more ways than one, Gangs of New York is just like the city.

The film is often one that is most hacked by critics and Scorsese fans, mostly for its historical inaccuracy, length and muddled narrative. But just like the violent mess the city was, the movie follows suit, becoming a grand, grotesque but truthful epic tale of how a city and a nation were born.

Scorsese incorporates similar themes to his other famous works. There are the power struggles with men and women, violence as a substitution for sex, violence within class, nationality and religion. This movie hits them all, and it hits them with brute force. Continue reading →

ARCHIVE REVIEW: Revolutionary Road

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Revolutionary Road
Directed by: Sam Mendes
Written by: Justin Haythe (screenplay), Richard Yates (novel)
Starring: Leonardo DiCaprio, Kate Winslet, Michael Shannon, and Kathy Bates

The way cinema portrays it, I’m led to believe absolutely no marriages of the 1950’s ended well.  With all of these shattered dreams and repressed rage foaming to the surface, it’s difficult to see how these people have time for mowing the lawn or raising the kids.

In fact, the children hardly make an appearance in Sam Mendes’ adaptation of Revolutionary Road, originally a cult novel written by Richard Yates.  They are alluded to, yes, but their most prominent function is to make Leonardo DiCaprio’s Frank Wheeler feel guilty about cheating on his wife April (Kate Winslet) on his birthday.  There he is walking into his own house, and here comes a birthday cake, a happy wife, and two smiling kids right after he got done staring ominously at the steering wheel of his car and feeling dreadful.

It’s this dreary mood of hidden secrets and suburban angst that drives much of Revolutionary Road. And though the children rarely appear, the adults do enough childish dreaming of their own.  April and Frank decide to move to Paris, an aspiration they remembered and want to achieve.

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Summer Box Office Predictions

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1. Inception

Release date: July 16th

Plot summary: Dom Cobb (DiCaprio) is an agent who has the technology to enter the minds of business tycoons to retrieve their strategies and sell them to the highest bidder. But the mind is no safe place for Dom and his team who find themselves in a place where things can rearrange and people can have powers outside of reality. When a heist goes wrong, one CEO seeks to steal the technology from the thieves attacking him.

Why it will rule: Just a few short summers ago, Christopher Nolan delivered audiences The Dark Knight, a domestic and overseas smash that made $1 billion worldwide and nabbed the attention of critics and mainstream audiences alike. Nolan’s talent lies in making brilliant narratives into dark, compelling films that are popularized by their own quality. Add in Leonardo DiCaprio and his latest success with Scorsese’s Shutter Island and Warner Bros. incredible marketing team for dark blockbusters, it looks to be a hit. All that and the trailer proves that this is going to be Memento mind-bending with The Dark Knight effects squad and July release.

Why it will fail: With the exception of the Batman franchise, Nolan has yet to have a real big blockbuster. Without the branding, and without knowing what it is really about, audiences might turn down this smarter box office fair for more Transformers style blow em’ up blockbusters as entertainment. Also, this movie is missing the Heath Ledger effect.

Estimated box office: $100 million OW / $410 million Domestic

2. Toy Story 3

Release date: June 18th Continue reading →