Summer Movie Awards

The Most Laughs: The Kids Are All Right

The Kids Are All Right is easily the funniest movie of the year. The film covers some heated topics and touchy themes through the lightest and most heart-warming approaches via careful cinema and clever story. With its incredibly humorous undertones that hide behind genius dialogue, writing and delivery, the film toys around with the most hilarious tongue and cheek. No puns intended.

Read REVIEW HERE

The Biggest Cash-In: Knight and Day

The recent queen of cash-ins Cameron Diaz has had another explosivly exploitative summer, drawing massive amounts of money from massively dull movies like Shrek Forever After and Knight and Day, which showed us the same lame for our money. Diaz doing her usual self-portrayals in crappy action movies wasn’t the only offender, Tom Cruise hoping for a career saving hit and director James Mangold have both had better days.

Read REVIEW HERE

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Summer Movies ’10: Ranked and Reviewed

It is certainly not the most memorable summer for well received movies, as we have all come to know, grumble about and lose sleep over. Maybe we were spoiled with 2008’s dark knights, robots and iron clad heroes and 2009’s alien invasion and balloon flying escapades.  So far there have been a few highlights, even if there have been even more dim ones plaguing our expectations and hopes for the summer movie culture. Check out how CyniCritics rated and reviewed some of the top movies released this summer and how our score compares with the consensus on Rotten Tomatoes.

Toy Story 3: A-

Rotten Tomatoes Score: 99%

Inception: B

Rotten Tomatoes Score: 85% Continue reading

Inception’s Early Reviews: It’s Just the Beginning

Among the endless and plaguing remakes, reboots and sequels which Hollywood has been chastised for earlier in our State of the Box Office, comes a willing, bold beacon of hope to rise up against the order of Hollywood and save the summer from a single state of mind, a breath of fresh air, a sneaking guardian, a… dark knight perhaps?

Maybe. At least that is the word so far.

Early reviews for Christopher Nolan’s latest mind-bender are calling the Memento, The Prestige and The Dark Knight creator’s newest film “easily the most original movie idea in ages.” Peter Travers from Rolling Stone rated the film three and a half out of four stars, complimenting Nolan’s audacity in storytelling, visuals and ambitions. The Hollywood Reporter, Variety and a handful of other notable publications have all joined the bandwagon, commending the film for skipping CGI for in-camera photo-realistic imagery, its grand multi-reality setting and complex narrative. Continue reading