CLASSICS: Mulholland Dr.

Mulholland Dr.
Directed by: David Lynch
Written by: David Lynch (screenplay)
Starring: Naomi Watts, Laura Harring, Justin Theroux and Ann Miller

David Lynch’s Mulholland Dr. seeks to do nothing less than redefine cinematic narrative.  By playing off expectations- those that precede dread and anticipate desire- he creates a hallucinatory dreamscape that, like many dreams, is populated with familiar people, repeated locations and maddening symbolism.

Figuring out what a dream means is a common point of relation among people, though producing that experience on a film and draining it of the personal angle of a friend or family member makes Mulholland Dr. quite a challenging experience to interpret, especially on only one viewing.  We’re being tasked with interpreting the dream of someone we do not know.

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ARCHIVE REVIEW: Vanilla Sky

Vanilla Sky
Directed by: Cameron Crowe
Written by: Cameron Crowe (adapted screenplay), Alejandro Amenábar & Mateo Gil (original screenplay),
Starring: Tom Cruise, Penélope Cruz, Cameron Diaz, and Kurt Russell

The trouble with success is, you always have to follow it up with something.  In the case of Cameron Crowe, who was adorned the king of both rock music and the film world in 2000 with Almost Famous, follows it up with this surreal, weird, and ultimately unsatisfying trip through the perpetual abyss of love and loss.

Another perk of success, at least in Hollywood, is that it allows you to draw in A-list names to your cause.  In the case of Vanilla Sky, Crowe draws in the great (Penélope Cruz), the good (Tom Cruise) and Cameron Diaz.  This big-name ensemble, which is led by Cruise but scene-stolen by Cruz, follows silver-spoon publisher David Aames as his life spins in and out of reality after a car crash.

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BEST PICTURE NOMINEE: Inception

Inception
Directed by: Christopher Nolan
Written by: Christopher Nolan
Starring: Leonardo DiCaprio, Ellen Page, Joseph Gordon-Levitt, and Marion Cotillard

Waves crashing to shore, then a body; these are both one of the first things we see in Inception, and one of the last.  Christopher Nolan’s highly anticipated dream-thriller may wow you with its visual prowess, dazzle you with its high-ended concepts, and intrigue you with its heist-style head invading, but it has a typical Hollywood-style circular structure.

If it sounds like I’m already being hard on Nolan and his predetermined masterpiece, it’s only because you need to know right off the bat that it does not reinvent cinema the way its publicity campaign suggested.

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REVIEW: Inception

Inception
Directed by: Christopher Nolan
Written by: Christopher Nolan
Starring: Leonardo DiCaprio, Ellen Page, Joseph Gordon-Levitt, and Marion Cotillard

Waves crashing to shore, then a body; these are both one of the first things we see in Inception, and one of the last.  Christopher Nolan’s highly anticipated dream-thriller may wow you with its visual prowess, dazzle you with its high-ended concepts, and intrigue you with its heist-style head invading, but it has a typical Hollywood-style circular structure.

If it sounds like I’m already being hard on Nolan and his predetermined masterpiece, it’s only because you need to know right off the bat that it does not reinvent cinema the way it’s publicity campaign suggested.

Many reviews have pointed out all of Nolan’s influences (2001: A Space Odyssey, The Matrix) and for good reason: Inception is chock full of moments where anyone who’s seen a sci-fi movie will chuckle to themselves.

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