10 Memorable Movie Psychos

Instead of a “Scariest movies for Halloween” list, we decided to go with another semi-standard list for this time of year: the best psychotics.  We aren’t limiting it to horror movies: it’s an even playing field for these murderers and madmen.  Let their tricks treat for years to come.  (Entries are placed in no particular order, but feel free to name ones you would’ve picked instead.)

Hannibal Lecter (The Silence of the Lambs)For three movies, no matter your opinion of the sequel and prequel, Anthony Hopkins held your gaze as the calm, collected cannibal.  When you first see him, he stands raised as if he were honoring royalty entering the room, a maddening stillness and calm smirk across his face.  He always appears collected, which makes the madness behind his motives all the more chilling.

Jack Torrance (The Shining)- One of many iconic roles for Jack Nicholson and one of many masterpieces for Stanley Kubrick, this villain stands at the center of a chilling send-up of the American family.  Dad gets cabin fever and starts chasing mom and son around with an axe.  Watching this character descend into madness after seeing him semi-normal is what makes him so effective.

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ARCHIVE REVIEW: Monster

Monster
Directed by: Patty Jenkins
Written by: Patty Jenkins
Starring: Charlize Theron, Christina Ricci, Bruce Dern, and Annie Corley

You don’t have to say someone’s name to show who they are.  Some of the best biopics, most notably this one and Todd Hayne’s I’m Not There, never acknowledge the subject’s name until the very end.  On IMDB, Charlize Theron is cast simply as Aileen, not Aileen Wuornos.

Monster is proof of a lot of things, most notably that there really isn’t much to a name when you think about it.  Selby (Christina Ricci) simply calls her new lover Lee, an affectionate name in comparison to what most other people call her.

Street walker, hooker, prostitute- whatever you want to call her job, it defines her more heavily than anything in the sordid past that led her to it.  Monster starts out grabbing for your heartstrings, as Aileen narrates a look at her troubled childhood with a musing about being discovered like Marilyn Monroe.  In the enhanced colors of this dreamy flashback, we cut abruptly to her as an adult in the 80’s, sitting under a highway overpass as it pours rain.  In this movie, there are happy moments, and there is life.

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