Short Takes: The Skeleton Twins, The Drop & The Hundred-Foot Journey

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The Skeleton Twins- Any enthusiasm I have for Bill Hader and Kristen Wiig’s dramatic and comedic chemistry in The Skeleton Twins is drowned out by the rest of this unrelentingly sloppy movie.  Hader plays Milo, who returns home to live with his unhappily married sister Maggie (Wiig) after attempting suicide.  There are, of course, dark family secrets, vast pools of resentment, a dead parent, a shitty parent and plenty of other dysfunctional family cliches.  The script, co-written by Mark Heyman and the director Craig Johnson, shifts tone so abruptly that it’s impossible to be invested in the story they’re trying to tell.

Hader and Wiig have undeniable chemistry and cast a wide net of emotions to try and make this script work.  A couple of times they are successful.  There’s an absolutely hysterical scene where Milo goes to the dentist’s office where Maggie works and they get high on laughing gas and ramble.  It’s also one of the few times where the movie’s deep undercurrent of sadness actually contributes something to the story and doesn’t seem overdone. When they talk to each other in this scene, their problems seem unforced because Johnson lets it unfold organically.  The other conflicts largely stem from sex, which Milo has with his old high school English teacher and Maggie has with her scuba instructor.  It’s aggressive, unearned, empty misery.  Grade: C-

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REVIEW: Salmon Fishing in the Yemen

Salmon Fishing in the Yemen
Directed by: Lasse Hallström
Written by: Simon Beaufoy (screenplay), Paul Torday (novel)
Starring: Ewan McGregor, Emily Blunt, Amr Waked and Kristin Scott Thomas

Salmon Fishing in the Yemen is as interesting as a movie about fishing could possibly be, which is a back-handed compliment but also a true one.  It is the story of the wealthy Sheik Muhammad (Amr Waked) and his desire to bring salmon to his native part of Yemen.  This is absurd to the scientist Dr. Alfred Jones (Ewan McGregor), who is approached by the sheik’s consultant Harriet (Emily Blunt) as well as pressured by the British government, to make this vision come true.

There are many technical and ecological obstacles that stand in the way of the sheik’s plan, none of which are made very hazardous or interesting.  This is because the main point of Salmon Fishing in the Yemen is not that there are two likeable people trying to overcome outrageous odds, but rather that they and the sheik must meet in the ideological and cultural middle to do so.  Alfred is obviously very logic based, though he’s stuck doing a task for a man who is relying heavily on faith and destiny.  Since that man has substantial funds, Harriet is happy to play the middlewoman between them.

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