If they were in television… Lars von Trier

Notable films: Europa, Dancer in the Dark, Antichrist, Dogville, Breaking the Waves, and The Idiots.

Famous for: Shocking his audience, controversy, female lead performances, depressing idealism, anti-religious undercurrents, beautifully unique visuals, low budget hand-held camera angles, talking about his fears and emotions, and refusing to watch his own movies.

Hypothetical title: Heaven’s Highway

Hypothetical premise: After being set up for a misdemeanor and kicked out by her polygamist family, lonely widow Gretchen kills her abusive father and flees her small west-coast mountain town.  Emerging from the mountains a completely new person, she begins rebuilding her life for herself, learning her sense of individuality and coming into her own.  However, the past catches back up to her, and she is soon on the run from the law as well as her haunting, abusive past.  She begins seeing delusional crimes committed in everyday life, mimicking both the ones her father did and the way she killed him. When the police catch her, there is no proof that her father was the patriarch of a repressive polygamist regime because nobody in it will talk but her.  She is sentenced to life in prison, but commits suicide after reflecting on how good her life was for those few months.

Cross between: Thelma and Louise, Dancer in the Dark, Big Love, and Dogville.

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REVIEW: Inception

Inception
Directed by: Christopher Nolan
Written by: Christopher Nolan
Starring: Leonardo DiCaprio, Ellen Page, Joseph Gordon-Levitt, and Marion Cotillard

Waves crashing to shore, then a body; these are both one of the first things we see in Inception, and one of the last.  Christopher Nolan’s highly anticipated dream-thriller may wow you with its visual prowess, dazzle you with its high-ended concepts, and intrigue you with its heist-style head invading, but it has a typical Hollywood-style circular structure.

If it sounds like I’m already being hard on Nolan and his predetermined masterpiece, it’s only because you need to know right off the bat that it does not reinvent cinema the way it’s publicity campaign suggested.

Many reviews have pointed out all of Nolan’s influences (2001: A Space Odyssey, The Matrix) and for good reason: Inception is chock full of moments where anyone who’s seen a sci-fi movie will chuckle to themselves.

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