Short Takes: Out of the Furnace, Kill Your Darlings and Drug War

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Out of the Furnace- This unremittingly bleak drama centers on deeply flawed brothers in Pittsburgh.  Russell (Christian Bale) is a heavy drinker who kills a woman and her kid drunk driving and lands in jail while his brother (Casey Affleck) serves several tours in Iraq.  Once he is out of jail, his brother goes missing after a series of increasingly brutal organized fistfights to pay off debt.

Director Scott Cooper makes no effort to give the audience a payoff.  The (plentiful) violence is treated as deeply troubling and is never without consequences.  Although a lot of the story is absurd and simplistic, there is an honest humanity that makes it surprisingly effective. Grade: C

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Kill Your Darlings- An uneven but thrilling attempt to capture Beat writers in the act of inventing themselves.  The story centers on Allen Ginsberg (Daniel Radcliffe) leaving a turbulent home life for an even more turbulent time at Columbia.  He is drawn to Lucien Carr (Dane DeHaan), and the two form the chaotic, and ultimately tragic, core of the movie.  Jack Kerouac (Jack Huston) and William Burroughs (Ben Foster) also show up in drug-fueled flashes.

Kill Your Darlings treats the period with much affection, but director John Krokidas also injects crucial visual flare as well as modern music.  There is too much repetitive literary quoting underlining the theme over and over, but Krokidas brings an exhilaratingly reckless, chaotic vision to material that would otherwise seem stuffy and pretentious.  Grade: C+

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Drug War- One of the most intense and entertaining movies of the year.  Drug War is an action movie examination of China’s obscene drug policy.  Rather than overcrowd their prisons with drug offenders (like in America), people who possess more than a certain amount are just executed.

Johnnie To’s movie is about a meth dealer caught in between the police and those higher-up in the trade than him.  He offers to help the cops take down the others in exchange for prison time instead of a death sentence.  To creates organic, often breathtaking action sequences throughout, shaming most Hollywood releases on a fraction of the budget.  Grade: B+

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REVIEW: Dallas Buyers Club

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Dallas Buyers Club
Directed by: Jean-Marc Vallée
Written by: Craig Borten and Melisa Wallack
Starring: Matthew McConaughey, Jared Leto, Jennifer Garner and Denis O’Hare

Matthew McConaughey and Jared Leto play polar opposites brought together by the horrors of AIDS in Dallas Buyers Club, an unsettling message movie that doesn’t want to admit it’s a message movie.

As the unsparing homophobe Ron Woodroof, McConaughey takes his natural on-screen charm to a demented new register here.  First seen at the center of a sweaty threesome at a rodeo, it’s not long before he’s slinging the word “faggot” in a locker room with his pals.  It’s also only a matter of minutes before he’s sitting in a hospital, being told that his T-cell count is so low he has 30 days to live.  When his doctor asks him if he’s had gay sex, he goes into a fit of rage.

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REVIEW: Blue Is the Warmest Color

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Blue Is the Warmest Color
Directed by: Abdellatif Kechiche
Written by: Abdellatif Kechiche & Ghalia Lacroix (screenplay), Julie Maroh (graphic novel)
Starring: Adèle Exachopoulos, Léa Seydoux, Salim Kechiouche and Benjamin Siksou

A three-hour epic of writhing limbs and ferocious love, Blue Is the Warmest Color is without a doubt one of the most unforgettable and complicated movie-going experiences of year.  The performances are so raw, the young actresses so vulnerable in their portrayal of this intense relationship, that it nearly transcends some of its director’s problematic depictions of them.

Abdellatif Kechiche’s film deeply impressed this year’s Steven Spielberg-led Cannes jury, taking home the Palme d’Or but also sparking intense debate.  Julie Maroh, the writer of the graphic novel, said that while watching the sex scenes it became clear to her that there were no lesbians on the set.  She connected the way Kechiche shot those scenes to a later conversation in the film, where a man at a dinner party discusses how sacred and mystical the female orgasm is.

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