Blue Is the Warmest Color Directed by: Abdellatif Kechiche Written by: Abdellatif Kechiche & Ghalia Lacroix (screenplay), Julie Maroh (graphic novel) Starring: Adèle Exachopoulos, Léa Seydoux, Salim Kechiouche and Benjamin Siksou
A three-hour epic of writhing limbs and ferocious love, Blue Is the Warmest Color is without a doubt one of the most unforgettable and complicated movie-going experiences of year. The performances are so raw, the young actresses so vulnerable in their portrayal of this intense relationship, that it nearly transcends some of its director’s problematic depictions of them.
Abdellatif Kechiche’s film deeply impressed this year’s Steven Spielberg-led Cannes jury, taking home the Palme d’Or but also sparking intense debate. Julie Maroh, the writer of the graphic novel, said that while watching the sex scenes it became clear to her that there were no lesbians on the set. She connected the way Kechiche shot those scenes to a later conversation in the film, where a man at a dinner party discusses how sacred and mystical the female orgasm is.
Amour Directed by: Michael Haneke Written by: Michael Haneke (screenplay) Starring: Jean-Louis Trintignant, Emmanuelle Riva, Isabelle Huppert and William Shimmell
Michael Haneke’s latest film is a good poster child for why mainstream movie audiences fear and avoid many foreign films; it is quiet, slow and relentlessly depressing. After winning the Palme d’Or in 2009 for The White Ribbon, Haneke officially established himself as a “Cannes auteur,” a director whose latest work would forever and always have a place in the festival’s cannon.
Amour is wondrously, deliberately hopeless. Its depiction of an elderly woman’s slow, painful crawl toward death after suffering a series of strokes is not peppered with melodrama or any sort of dramatic flourish. Haneke seems to think this would make the situation too comfortable, too much like a movie. The goal of this film is to show the situation in as realistic light as possible, but from a removed distance.