Short Takes: Out of the Furnace, Kill Your Darlings and Drug War

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Out of the Furnace- This unremittingly bleak drama centers on deeply flawed brothers in Pittsburgh.  Russell (Christian Bale) is a heavy drinker who kills a woman and her kid drunk driving and lands in jail while his brother (Casey Affleck) serves several tours in Iraq.  Once he is out of jail, his brother goes missing after a series of increasingly brutal organized fistfights to pay off debt.

Director Scott Cooper makes no effort to give the audience a payoff.  The (plentiful) violence is treated as deeply troubling and is never without consequences.  Although a lot of the story is absurd and simplistic, there is an honest humanity that makes it surprisingly effective. Grade: C

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Kill Your Darlings- An uneven but thrilling attempt to capture Beat writers in the act of inventing themselves.  The story centers on Allen Ginsberg (Daniel Radcliffe) leaving a turbulent home life for an even more turbulent time at Columbia.  He is drawn to Lucien Carr (Dane DeHaan), and the two form the chaotic, and ultimately tragic, core of the movie.  Jack Kerouac (Jack Huston) and William Burroughs (Ben Foster) also show up in drug-fueled flashes.

Kill Your Darlings treats the period with much affection, but director John Krokidas also injects crucial visual flare as well as modern music.  There is too much repetitive literary quoting underlining the theme over and over, but Krokidas brings an exhilaratingly reckless, chaotic vision to material that would otherwise seem stuffy and pretentious.  Grade: C+

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Drug War- One of the most intense and entertaining movies of the year.  Drug War is an action movie examination of China’s obscene drug policy.  Rather than overcrowd their prisons with drug offenders (like in America), people who possess more than a certain amount are just executed.

Johnnie To’s movie is about a meth dealer caught in between the police and those higher-up in the trade than him.  He offers to help the cops take down the others in exchange for prison time instead of a death sentence.  To creates organic, often breathtaking action sequences throughout, shaming most Hollywood releases on a fraction of the budget.  Grade: B+

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CANNES REVIEW: On the Road

On the Road
Directed by: Walter Salles
Written by: Jose Rivera (screenplay), Jack Kerouac (novel)
Starring: Sam Riley, Garret Hedlund, Kristen Stewart and Viggo Mortensen

Too much goes wrong in the movie adaptation of On the Road that what it does get right  is overshadowed almost completely.  In adapting Jack Kerouac’s classic Beat Generation novel, the time period is completely lost amid a cast of venerable modern actors who are cluttered together on the screen as if it would be a felony to exclude someone who was in the book.

At almost two-and-a-half hours, director Walter Salles and screenwriter Jose Rivera do with this story what many other bad book adaptations do: they drag things on for too long.  I haven’t read Kerouac’s book, but as many people I know who’ve read it feared, his stream-of-consciousness writing style does not translate very well.  Much of the screenplay is very well-written, to be sure, but the complete lack of atmosphere drains them of much of their power.

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