1. There Will Be Blood– Paul Thomas Andersen’s take on a corrupt, independent oil prospector at the turn of the century who just conned a family out of their oil-wealthy land is an epic exploration of two souls squaring off in a new world torn between spiritual and capitalistic ideals. The performance of Daniel Day Lewis gives Daniel Plainview flesh and blood thicker and blacker than the oil he devotes himself to drilling, carrying the film for nearly three hours and never skipping a scene that won’t enthrall. Those who can’t appreciate experimental filmmaking or principals of classic cinema like Citizen Kane will think this movie bores more than it bleeds. Though it’s a tragic tale, telling the American nightmare oppose to the America dream, it’s technically beautiful, if not perfect. The unconventional and strange cinematography and score are just a few of the elements that set Andersen up as rebellious poet, taking a stand against everything the digital film age embodies, and in doing so he creates something just as classic, magnificent and important as Citizen Kane, but clumping them together is injustice. There Will Be Blood mines deep into new territories and in the process, becomes a masterpiece.
2. The Departed– Martin Scorsese’s visceral return to the crime drama yielded extraordinary results. Packing an unbeatable cast into a winning script by William Monahan, Scorsese creates a world where corruption starts young and gets more powerful with age. Leonardo DiCaprio, Matt Damon, Jack Nicholson, Vera Farmiga, and Mark Wahlberg are all excellent, but as with most of his films, Scorsese is the star of the show. He laces this tale of Shakespearean magnitude with perfect music and pacing. Two and a half hours rarely go by so fast. You’ll have whiplash by the time the film reaches its bloody climax, and love every second of it. With The Departed, Scorsese’s created a classic that stands with his best work. Continue reading →