ARCHIVE REVIEW: Oldboy

Oldboy
Directed by: Chan-wook Park
Written by: Jo-yun Hwang, Chun-hyeong Lim, & Chan-wook Park (screenplay, Nobuaki Minegishi (comic)
Starring: Min-sik Choi, Hye-jeong Kang, Ji-tae Yu, and Dae-han Ji

Chan-wook Park makes no secret of his influences.  From Tarantino-esque violence to Frank Darabont’s Shawshank Redemption, this movie’s story and visual style are the cut-up pieces of movies new and old.  Is it a coincidence it came out the same year as Kill Bill?  Someone with a PhD in film studies could probably have a field day, but I was grossed-out and bored.

Oldboy is the kind of movie sold as a visually-stunning thrill-ride that makes you think. Other than keeping up with the fairly simplistic story amid all of the visual prowess, not much thinking really takes place.  People mistake the “gasp!” twist near the ending for actual thematic depth, when in reality the only means to this movie’s end is driving out the memories with a hammer to the head.

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REVIEW: Mother

Mother
Directed by: Joon-ho Bong
Written by: Eun-kyo Park & Joon-ho Bong
Starring: Hye-ja Kim, Bin Won, Ku Jin, and Yoon Jae-Moon

To call Mother, the latest effort from seminal South Korean filmmaker Joon-ho Bong, obscure would be putting it lightly.  Rarely does a movie of such visual beauty have such an odd sense of humor, especially when the subject matter is so dark.  It begins with its small female protagonist dancing alone in the middle of a wheat field. It ends with the same dance, this time in a crowded bus.  It’s hard to describe a reaction to this, and I’m sure it will differ for many viewers.  However, it summarizes the movie quite well.

What begins as an odd tale of a mother/handicapped son relationship quickly saunters into an intriguing murder mystery.  When her son (Bin Won) is accussed of the murder of the local nympho, the unnamed mother (Hye-ja Kim) sets out to prove his innocence.

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