Summer Movie Awards 2011

The Most Ambitious: The Tree of Life The goal of Terrence Malick’s Tree of Life is no less than to funnel the creation of the universe through a child.  That that child and his family closely resembles the director’s own makes this his most personal film to date as well.  With some of the most stunning cinematography you’ll ever see in a movie, Malick captures something elemental in this movie.  You may not have liked it, but you’ll never forget it.

The Most Laughs: Bridesmaids With one of the best comedic ensembles in recent memory, writers Kristen Wiig and Annie Mumalo paired up with director Paul Feig and producer Judd Apatow to create this hilarious, raunchy comedy about the bond among women.  Bridesmaids proves that an ensemble of females can spit vomit and shit just as well as men, which is something Hollywood needed to be force-fed.

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Summer 2011: Here we are now, entertain us

“Why do we go to the movies?” is the film industry equivalent of “What is the meaning of life?”  It’s a question that everyone with varying degrees of passion for the subject has a different answer to.

Often, the meaning of the movies reflect the season they are released in, because people have different desires at the theater.  The summer is often associated with the kind of movie that gets people out of the heat and makes them relax.  Something for the kids to go to while the parents are at work, or the whole family to enjoy when everyone is home.

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REVIEW: Rango

Rango
Directed by: Gore Verbinski
Written by: John Logan (screenplay)
Starring: Johnny Depp, Isla Fisher, Ned Beatty, and Bill Nighy

Go ahead, label Rango an animated vehicle for Johnny Depp driven by his Pirates of the Caribbean director Gore Verbinski.   You wouldn’t be wrong, but you would be guilty of oversimplifying one of the most outlandish and downright weird animated movies to cross mainstream audiences in a long time.

It seems almost mandatory at this point to acknowledge that Rango is indeed not a product of Pixar.  However, it doesn’t come from Dreamworks either, but rather Nickelodeon.  To this end, the bizarre twists and somewhat more mature material seem more at home.  So too does Depp, voicing The Chameleon With No Name who later assumes the identity Rango when he stumbles into an Old West Town.

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TRAILER: Pirates of the Caribbean: On Stranger Tides

Pirates of the Caribbean: On Stranger Tides
Directed by: Rob Marshall
Written by: Ted Elliot and Terry Rossio
Starring: Johnny Depp, Penelope Cruz, Ian McShane, Geoffrey Rush

The third film never exactly left the franchise concluded and satisfied. With a small cliffhanger, another billion in the bank and a chance to make swords swing out at audiences in 3D, Disney brings back the beloved peculiar swashbuckling pirate saga with Pirates of the Caribbean: On Stranger Tides.

Whether there is an audience demand or a creative reason to refuel the franchise or not is not a concern to the studio that is likely to pocket another billion for the fourth installment after worldwide box office gets boosted by 3D. Taking the title from a the 1988 Tim Powers’ novel which shares plot elements with the film, Disney plucks Rob Marshall to take over the Gore Verbinski directed franchise. After coming off of last year’s overhyped flop Nine, Marshall uses his expertise in stylization and glamour seen in Chicagoand Memoirs of Geisha to add a splash to the series. Continue reading

SPOTLIGHT: Johnny Depp

Renowned mostly for his mainstream work in Pirates of the Caribbean and by fans of Tim Burton movies, Johnny Depp can be categorized almost unfairly.  I say almost because he does great work in both of those categories, and I say unfairly because there is quite a bit more to this actor’s career.  Whether he be a playwright fighting to get back to his childhood (Finding Neverland) or a sly gangster evading the authorities (Public Enemies), Depp proves time and again to be one of the most diverse, high-quality performers working in film today.  He takes on projects of passion, and they just happen to make a lot of money.  This could be because he works with talented filmmakers with a built-in audience, but it’s not.  It’s because he carries a built-in audience to terrific filmmakers, and then everyone wins.

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