It hasn’t been a full year quite yet here at CyniCritics. With only ten and a half months of existence recorded, it’s still been one hell of a year for us. Our own domain name, a feature on IMDb’s Hit List, increasing viewership, some new friends and a growing appreciation for the art of cinema all make the cut of our accomplishments this year.
To celebrate the New Year and kick off the end of the year goodie posts, Matt and I would like to thank everyone for stopping by, reading our work and taking part in the discussion. Here is a list of a few of our favorite posts from CyniCritics over the past year and ones from other sites that caught our eyes and wracked our brains. Happy New Year, everyone!!!
Favorite Posts on Friend Sites
Are Hollywood Actors Overpaid?by Anomalous Materials– The brilliance of Castor is his ability to create an amazing dialogue among film enthusiasts. The tagline on his site summarizes it all, “where movie lovers come to mingle.” In this post, as with many, he starts by asking us a question, seeking our answer, not seeking us to learn his. The question is great and so is his exploration of it. Continue reading →
A movie’s poster is often one of the biggest selling points outside of the trailer. For this reason, studios release movie posters with a less-than-true representation of what we’re about to see. This is especially true with small-budget films that they feel they can market to certain groups. Comprised here are a list of 5 really blatant attempts to get you to watch a movie that isn’t what’s on the cover.
1. Kramer vs. Kramer- This is a bitter movie about a mom (Meryl Streep) hopping town to deal with her life, leaving dad (Dustin Hoffman) with young kid. The poster makes it seem like that family movie where the stakes are too low for the themes to mean anything, but this one hits hard. When mom’s gone and dad’s bonding with the son he forgot he had, sentiment makes its way into the script’s veins. In the bitter beginning and the grueling court cases though, the poster becomes a relic of something that died a long time ago. It’s a terrific movie with terrific actors, but its charm only goes so far.
2. Happy-Go-Lucky- Indie rom-com this is not. Mike Leigh’s criminally underrated character study of a stubbornly optimistic woman (Sally Hawkins) challenged at every turn is uproarious, charming, and insightful. She does not exactly fall in love, and the guy giving her the piggy-back ride on the front is not the same guy who does it in the movie. By any means don’t let it deter you from seeing this great movie, it’s not the run-of-the-mill indie romance it’s sold as.