REVIEW: August: Osage County

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August: Osage County
Directed by: John Wells
Written by: Tracy Letts (screenplay & play)
Starring: Meryl Streep, Julia Roberts, Chris Cooper and Ewan McGregor

There’s more capital ‘A’ Acting per minute in August: Osage County than in any movie I’ve seen in recent years.  It’s as if instead of holding the Oscars this year, they’ve decided to lock a bunch of award-hungry famous people in a house and let them fight to the melodramatic death for the trophies.  That isn’t necessarily a good thing, especially when the script (adapted by Tracy Letts from his Pulitzer-winning play) is a more vulgar version of nearly every hateful, generic family drama ever created.  Bruised souls, past wrongs, marital turmoil, generational gap humor and a handful of “gasp!” revelations don’t form a story as much as scattered scenes meant to highlight the various thespians.

In that regard Meryl Streep practically swallows the movie whole as Violet Weston, the pill-addicted, “truth-tellin'” matriarch of this emotionally volatile clan.   Director John Wells lavishes so much attention on her darting eyes and fading-but-indignant pride that the actress takes center stage even when it’s not her turn.  Watching any Streep movie in the past few years this isn’t really a surprise.  The Iron Lady was practically a one-woman show, and the very capable Amy Adams got engulfed in both Julie and Julia and Doubt.  The only one to really hold their own against her in recent years is Philip Seymour Hoffman as the embattled priest in the latter.

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