Our Favorite Movies of 2013

The Wolf of Wall Street movie

1. The Wolf of Wall Street- The funniest film of the year was made by one of the world’s greatest directors, Martin Scorsese, who is now into his 70s and nearing the very end of his career. You wouldn’t know it watching The Wolf of Wall Street, an impossibly energetic riff on the true-life exploits of Wall Street crook Jordan Belfort. The film depicts behavior most would find irrefutably lewd, misogynist, or downright amoral; most of which is played for uproarious laughs. The men in Wolf act out of humanity’s basest impulses; snorting drugs and screwing prostitutes in the office just because they have no one there to tell them “no.” Scorsese, much like the protagonist, never slows down to moralize anything on the screen, keeping the focus on the excessively sexual and drug-fueled life of Belfort and all of his brokers. It is in these outrageous slapstick moments and revolting conversations that the director becomes a sly satirist, allowing us to laugh at and observe this lifestyle from the self-aggrandizing narrator’s point of view. The uniformly great supporting cast, paired with DiCaprio’s career-best performance, carry out exhilarating, even visceral, comedy scenes that keep the film bouncing through its three-hour run-time.  Scorsese’s damning portrait of greed has a well-secured place in the canon of America’s great black comedies.

spring breakers

2. Spring Breakers- The perverse pleasures of cinema were mined and radicalized in Harmony Korine’s Spring Breakers, an apocalyptic beach party and an unforgettable deconstruction of modern America’s excesses and wastelands. Aesthetically, it mirrors the sex-and-drug infused paradise of an MTV spring break, filmed under bright pink skylines and seedy red nightclubs. Malevolence has always been a way of coping with marginality for Korine’s characters, but for Brit, Candy, Faith and Cotty, it is a way to reach the ultimate high; attaining a transcendent euphoria, not through debauched revelries but through dominance and power. Big Arch and the indelible Alien are the walking, boasting incarnations of this ever-lasting Dream, and the girls’ eventual foray into criminal warfare is all an inevitable part of their quest for insatiable pleasure. As a major release in 2013, Spring Breakers is purposefully indefinable, and so nonplussed reactions from Gen-Y are unsurprising (strangely, our drug-obsessed culture doesn’t seem too interested in art inspired by drugs?). But not working directly as an obvious critique of anything is exactly why the film will endure; by evading a definite “purpose,” it is a piece of art that can be observed from a multitude of angles. If anything, the year’s masterpiece will serve as an important corrective: it’s not style over substance, style is the substance.

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Our Favorite Performances of 2013

DiCaprio Wolf of Wall Street

1. Leonardo DiCaprio, The Wolf of Wall Street- A career-best performance for DiCaprio in his thrilling latest collaboration with Martin Scorsese.  He gives off machine-gun bursts of energy as Wall Street crook Jordan Belfort and shows an amazing knack for both physical and verbal comedy that his often-serious portrayals don’t let him bring out.  It’s both loud and rambunctious and deeply nuanced.  (Added Dec. 30) 

Frances Ha

2. Greta Gerwig, Frances Ha- This fantastic turn is the stunning result of Greta Gerwig’s New Wave collaboration with director Noah Baumbach.  While also serving as co-writer of the movie, Gerwig captures a rocky period of this 27-year-old dancer wannabe’s life with a contagious charm.  The movie is very much built around her unpredictability, and she captures the pain and anxiety of post-college youth without overplaying her hand.  She is a Manic Pixie Dream Girl whose dreams are her own.

blue-jasmine-trailer

3. Cate Blanchett, Blue Jasmine – Woody Allen’s latest simply wouldn’t have been as good without this thunderous performance from Cate Blanchett.  She manages the difficult task of creating a loathsome woman that also elicits pity.  After a long string of privileged existence, Jasmine is finally forced to confront the depths of her mental instability when her Madoff-esque husband is caught.  Blanchett gazes unflinchingly into the abyss of depression with raw feeling and crucial sympathy.

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