Krampus — Krampus is a delightful, deranged revision to the standard dysfunctional family Christmas film. It begins as one, with a slew of perfectly cast character archetypes — Toni Collette as a controlling mom, David Koechner as her gun-toting, obnoxious brother-in-law — trapped inside a home for the holidays. The first third of the movie is sharply written, but fairly standard. They bicker at dinner, pick at each other’s life choices and complain about the cooking. Then Max (Emjay Anthony), a young boy teetering on the edge of believing in Santa, is ridiculed by his cousins into tearing up his letter for the North Pole.
From here, Krampus comes unhinged in the best possible way. Max’s lack of faith disturbs St. Nick’s evil twin, a monstrous, horned demon who lands in the neighborhood with a band of demented elves and possessed Christmas toys. Director Michael Dougherty orchestrates a gleeful spectacle of it all, finding a perfect tone that blends absurdity with terror. From gingerbread men cackling as they fire a nail gun at someone to a giant clown jack-in-the-box that eats children, Krampus is filled with some wonderfully terrifying imagery. The ending slightly cheapens the overall effect of everything before it, but I can see this movie becoming a welcome holiday alternative whenever someone suggests that we watch The Santa Clause for the 800th time. Grade: B
1. Leonardo DiCaprio, The Wolf of Wall Street-A career-best performance for DiCaprio in his thrilling latest collaboration with Martin Scorsese. He gives off machine-gun bursts of energy as Wall Street crook Jordan Belfort and shows an amazing knack for both physical and verbal comedy that his often-serious portrayals don’t let him bring out. It’s both loud and rambunctious and deeply nuanced. (Added Dec. 30)
2. Greta Gerwig, Frances Ha-This fantastic turn is the stunning result of Greta Gerwig’s New Wave collaboration with director Noah Baumbach. While also serving as co-writer of the movie, Gerwig captures a rocky period of this 27-year-old dancer wannabe’s life with a contagious charm. The movie is very much built around her unpredictability, and she captures the pain and anxiety of post-college youth without overplaying her hand. She is a Manic Pixie Dream Girl whose dreams are her own.
3. Cate Blanchett, Blue Jasmine – Woody Allen’s latest simply wouldn’t have been as good without this thunderous performance from Cate Blanchett. She manages the difficult task of creating a loathsome woman that also elicits pity. After a long string of privileged existence, Jasmine is finally forced to confront the depths of her mental instability when her Madoff-esque husband is caught. Blanchett gazes unflinchingly into the abyss of depression with raw feeling and crucial sympathy.