CANNES REVIEW: Amour

Amour
Directed by: Michael Haneke
Written by: Michael Haneke (screenplay)
Starring: Jean-Louis Trintignant, Emmanuelle Riva, Isabelle Huppert and William Shimmell

Michael Haneke’s latest film is a good poster child for why mainstream movie audiences fear and avoid many foreign films; it is quiet, slow and relentlessly depressing.  After winning the Palme d’Or in 2009 for The White Ribbon, Haneke officially established himself as a “Cannes auteur,” a director whose latest work would forever and always have a place in the festival’s cannon.

Amour is wondrously, deliberately hopeless.  Its depiction of an elderly woman’s slow, painful crawl toward death after suffering a series of strokes is not peppered with melodrama or any sort of dramatic flourish.  Haneke seems to think this would make the situation too comfortable, too much like a movie.  The goal of this film is to show the situation in as realistic light as possible, but from a removed distance.

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ARCHIVE REVIEW: Zodiac

Zodiac
Directed by: David Fincher
Written by: James Vanderbilt (screenplay), Robert Graysmith (book)
Starring: Jake Gyllenhaal, Robert Downey Jr., Mark Ruffalo, and John Carroll Lynch

Unsolved murders haunt us.  As the detective played by Mark Ruffalo remarks at one point in Zodiac, there were 200 murders committed since a serial killer left his brutal mark on the zeitgeist.  Those murders were explained, though, and as a result they are boring to us.

There are several fictionalized versions of the story of The Zodiac Killer, because finding a narrative that rewards a viewer would be daunting and it would miss the point.  This is a story that is not about rewards.  There is obsession laced within every frame of it, driving all of the principal characters and not just the psychopath.  A need for justice, a need to definitively know lies buried beneath the daunting surface of this David Fincher masterwork.

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