Monthly Archives: July 2010

REVIEW: Splice

Posted on by
6

Splice
Directed by: Vincenzo Natali
Written by: Vincenzo Natali & Antoinette Terry Bryant
Starring: Adrian Brody, Sarah Poley, Delphine Chanéac, and Brandon McGibbon

In Splice, we begin our descent into the murky waters of the cloning issue by rising up, in first-mutant perspective, to see our creators.  Through the murky blue-tint of the screen, we see doctors interacting much like they would on any of the countless hospital TV shows on air.  It feels natural, and commonplace.

This is one of the important strengths of Vincenzo Natali’s unique film.  It shows us the everyday lives of two doctors, Clive Nicoli (Adrian Brody) and Elsa Kast (Sarah Poley), whose lives are anything but conventional, and then turns their respective worlds upside down.  The camera does not hint at the abnormal life forms as in Alien.  Rather, it blends the clone Dren (Delphine Chanéac) in with her creators.

Continue reading →

Inception’s Early Reviews: It’s Just the Beginning

Posted on by
4

Among the endless and plaguing remakes, reboots and sequels which Hollywood has been chastised for earlier in our State of the Box Office, comes a willing, bold beacon of hope to rise up against the order of Hollywood and save the summer from a single state of mind, a breath of fresh air, a sneaking guardian, a… dark knight perhaps?

Maybe. At least that is the word so far.

Early reviews for Christopher Nolan’s latest mind-bender are calling the Memento, The Prestige and The Dark Knight creator’s newest film “easily the most original movie idea in ages.” Peter Travers from Rolling Stone rated the film three and a half out of four stars, complimenting Nolan’s audacity in storytelling, visuals and ambitions. The Hollywood Reporter, Variety and a handful of other notable publications have all joined the bandwagon, commending the film for skipping CGI for in-camera photo-realistic imagery, its grand multi-reality setting and complex narrative. Continue reading →

Five Movies to Celebrate The Fourth of July

Posted on by
7

1. The Patriot– A South Carolina farmer and French-Indian war vet haunted by his past wants no part of the Revolutionary War, at least until one of his sons is taken by the a British colonel. Based very loosely on history and tightly on American ideals of simple people fighting for their family, Roland Emmerich directs one film that actually works to build American landmarks instead of destroying them. Patriotic spirit, Mel Gibson, history, farming, a father’s love and a very sharp Heath Ledger make this actioner about as American as it gets.

Continue reading →

ARCHIVE REVIEW: Watchmen

Posted on by
3

Watchmen
Directed by: Zack Snyder
Written by: David Hayter & Alex Zse (screenplay), Alan Moore (graphic novel)
Starring: Jackie Earle Haley, Patrick Wilson, Malin Ackerman, and Billy Crudup

You must give credit where credit is due: Zack Snyder knows which graphic novels to adapt to the screen.  300 was his claim to highly stylized fame, and now with Watchmen, he tackles perhaps the most important graphic novel of all time.  Of course it won’t live up to the source material, even when/especially because he sticks to it almost frame for frame.

Why storyboard when it’s already been done for you?  This appears to be the only original question Snyder poses.  His source material must do all the talking, because he is concerned with stylistic bloodshed by the gallons.  As he did in 300, he lets his characters run rampant within the frame, leaving nothing- violent or sexual -to the imagination.

Continue reading →

If they were in television… M. Night Shyamalan

Posted on by
Reply

Director: M. Night Shyamalan

Notable Films: The Sixth Sense, Unbreakable, Signs, The Village, The Happening

Famous for: Films with ridiculously unprecedented twists endings, supernatural science fiction, making cameos in his movies and crediting himself as an actor, films that lose money, The Sixth Sense

Hypothetical premise: A selfless, middle-aged heart surgeon is traumatized by the loss of his bride and mother of his children in her suicide attempt that he could not prevent or save her from after he spent a the night drinking. Now sworn sober and a dedicated father, he deals with painful flashbacks and alienation from people in his life who are much more perfect than he is. Almost too perfect. As he begins searching for cause of his wife’s suicide, he realizes it may not have been a suicide at all, instead it was a highly plotted murder carried out by the town’s council who wants to seduce the male lead and pull the memories of his wife away and replace them with memories of her. Of course, only something so mischievous and supernatural could be done by the queen of a water nymph town where no humans were allowed to leave. Escape is a world away. Each episode ends with him finding out he is in a different time period, on a different planet, as a different character. Enter aliens. Apocalypse. Continue reading →