REVIEW: The Help

The Help
Directed by: Tate Taylor
Written by: Tate Taylor (screenplay), Kathryn Stockett (novel)
Starring: Emma Stone, Viola Davis, Octavia Spencer, and Bryce Dallas Howard

More than anything- its Civil Rights message, its 60s send-back, its self-awareness of both- Tate Taylor’s film adaptation of The Help is more proof that female-driven movies outside the rom-com purgatory are infiltrating the mainstream.   That is the edgiest thing about it by far. As many critics have already remarked, it is a fairly safe movie.  It tackles racism in Jackson, Mississippi in the time period surrounding the assassination of Medgar Evers and John F. Kennedy.

Like AMC’s Mad Men, it dresses its stars (or the white ones at least) in irresistibly colorful dresses and tortures their hair into ridiculously smoothed-out contortions.  Unlike that show, it is aware of when it takes place.  This script, written by the director Tate Taylor, anticipates everything it’s going to throw at you.

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REVIEW: Get Low

Get Low
Directed by: Aaron Schneider
Written by: Chris Provenzano & C. Gaby Mitchell (screenplay)
Starring: Robert Duvall, Bill Murray, Sissy Spacek, and Lucas Black

Get Low, the feature directorial debut from Aaron Schneider, is a lot of things; visually enthralling, emotionally poignant, and terrifically acted are among them.  The hardest thing to figure out about it, though, is whether or not any of it is sincere.

Recluse Felix Bush (Robert Duvall) emerges from the woods after 40 years of near-solitude to plan his funeral.  Nothing too strange about that, until he announces to the planners (Bill Murray and Lucas Black) that he wishes to not only have it while he’s still alive, but sell tickets and have people tell stories about him.  Based partly on a folk tale and partly on writer ingenuity, Get Low traces Felix and his preposterous task and sees it all the way through the ceremony.

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