Extremely Loud and Incredibly Close
Directed by: Stephen Daldry
Written by: Eric Roth (screenplay), Jonathan Safran Foer (book)
Starring: Thomas Horn, Tom Hanks, Sandra Bullock and Max von Sydow
The opening image of Extremely Loud and Incredibly Close is of a man falling to his death, with papers behind him that fade into the title; its closing image is of a boy swinging upward on a swing, triumphant. It freezes on this image, asking the audience to pause and share in that triumph. This is hard to do for many reasons, but mostly because that man who was falling to his death wasn’t doing so because he wanted to. He is falling from the Twin Towers, and it is Septermber 11th, as the movie and its director, Stephen Daldry, will remind you of several times.
Oskar (Thomas Horn), the troubled boy at the film’s center, torments himself endlessly with the messages his father (Tom Hanks) left on their answering machine while he was trapped in the World Trade Center on what Oskar calls “The Worst Day.” After finally working up the courage to enter his father’s room, he searches the top shelf, knocking over a blue vase in the process. Inside that vase is a key whose mysteries occupy the remainder of the narrative.