2012 Oscar Nominations: Luke’s Picks

Unlike Matt (whose predictions can be found here), I take the Oscars a little seriously. My numbers are usually pretty good too, but I’ve yet to win any big predictions competitions and that bums me out just a little. That being said, this year’s race looks pretty flat and uncompetitive, with most of the nominees and frontrunners decided months ago. There are, however, a few nominees that could steal the scene from The Artist, which is expected to sweep.

2012 Academy Award Best Picture predictionsBest Picture

Nominees: War Horse, The Tree of Life, Moneyball, The Artist, Hugo, Midnight in Paris, The Descendants, Extremely Loud and Incredibly Close, The Help

Will Win: The Artist. It’s the frontrunner because it’s an easy pick for Hollywood. While most of the other best picture nominees have a few deterrers, The Artist is unanimously adored at least to some fashion. The nostalgia crowd pleaser also happens to have strong technical components AND a few acting nominations, which sets it apart from other possible winners like Hugo, The Help and The Descendants that only fare well with one of the two. Don’t be too surprised if The Help crashes the party with an upset. Continue reading

BEST PICTURE NOMINEE: Midnight in Paris

Midnight in Paris
Directed by: Woody Allen
Written by: Woody Allen
Starring: Owen Wilson, Rachel McAdams, Marion Cotillard, and Corey Stoll

Finally, the first movie of the summer that deserves the label “art.”  Woody Allen continues his stroll through Europe with this weird, touching, and hilarious trip through the streets of Paris.  Midnight in Paris was the opener of this year’s Cannes Film Festival, mostly because it’s everything the French love: funny, beautiful, and set in France.

Allen’s career has been an almost definitive representation of the “on-again, off-again” method of filmmaking.  He cranks out movies like nobody’s business, and many of them are masterpieces.  Some of them, especially recently, have been almost universal flops.  He is at his best when he takes the usual characters- neurotic artist, muse, pretentious academic- and puts them in something that isn’t about them.

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