ARCHIVE REVIEW: Fantastic Mr. Fox

Fantastic Mr. Fox
Directed by: Wes Anderson
Written by: Wes Anderson (screenplay), Roald Dahl (book)
Starring: George Clooney, Meryl Streep, Jason Schwartzman, and Bill Murray

The world of awkward young males and disapproving father figures often associated with the world of Wes Anderson is polarizing.  You have those who absolutely despise his style and those who absolutely love it.  Typically I fall into the former.  For all his faults, though, he does have a style.  Had I seen Fantastic Mr. Fox before Mr. Anderson’s other features, I’d have wondered what he was getting at with all of the others.  This is his best, most assured, most mature work , and it’s a stop-motion animation adaptation of a children’s novel.

It becomes perfectly clear in this film that all of the characters in Anderson’s other movies really were just cartoon characters.  Now that they are in the literal sense, their absurdest actions look and feel right.  The stop-motion techniques of the animation greatly help flesh out the emotion and style.  The camera work is amateur in the best sense of the word, making this feel like chaos that came together at the last minute.

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If they were in television… The Coen Brothers

Directors: Joel and Ethan Coen

Notable Films: Fargo, No Country for Old Men, Miller’s Crossing, The Big Lebowski, Raising Arizona, O Brother! Where Art Thou?, and A Serious Man

Famous For: Dark humor with a lot of irony, incorporating elements of film noir into everything, and messing with people’s expectations of certain genres.

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BEST PICTURE NOMINEE: Up in the Air

Up in the Air
Directed by: Jason Reitman
Written by: Jason Reitman and Sheldon Turner (screenplay) Walter Kirn (novel)
Starring: George Clooney, Anna Kendrick, Vera Farmiga and Jason Beitman

There is something about Jason Reitman’s ability both as screenwriter and director that enables him to do the most audacious tasks. Whether it’s clearing the smoke on the dubious debate between government and tobacco industries, bringing life to a taboo tale of a pregnant teen or travelling the gap between corporate America and the American, Reitman is always on board.

Ryan Bingham (Clooney) is in a business that thrives off of America’s deteriorating businesses. The old school corporate executioner travels all over the US, city to city, visiting companies with lists of middle managers and other white collars who are to be fired due to the economy. When bosses are too cowardly to break the bad news, it is Bingham’s job to sweep in and let them down as softly and suavely as his persona, which is why he does his job so well. In addition, he gives them a load of garbage about all the new opportunities and resources available to them. It only makes sense that he gives motivational speeches about the same sorts of subjects at business seminars and conventions. He does it well, and he loves doing it. Living a life of a nomad business man is exactly what he wants, so that he can detach himself from family, materialism and miserable grounded lifestyle led by the people which he fires.

Bingham is flying high until his company looks toward a young ivy-league hotshot (Kendrick) who proposed the company begin using an online model to cut out the travelling budget, putting Bingham’s job and lifestyle out of business. The new challenges he now faces are similar to the great challenges America is facing. Streamlining and digitizing isn’t just for corporations anymore, it’s for people, and it’s making us change the way we look at business and our lives. There is a constant back and forth between the traditional and the new.  It is an interweaved story of relevance and at the forefront is a fantastic character who must understand why he’s wandering through the world and what he needs to start bringing with him. Continue reading