REVIEW: Ponyo

Image courtesy of The Retort

Ponyo
Directed by: Hayo Miyazaki
Written by: Hayo Miyazaki (screenplay)
Starring: Noah Cyrus, Frankie Jonas, Tina Fey, Cate Blanchett, and Liam Neeson

For those who love the art of Japanese anime, Hayo Miyazaki is widely considered the God.  The man behind such works as Spirited Away and Princess Mononoke delivers his latest, Ponyo, with a wide color palette and unique take on Hans Christian Anderson’s “Little Mermaid.”

It starts off underwater.  The young fish we will soon know as Ponyo (Noah Cyrus) makes her way to the surface in an elaborate, beautiful opening sequence.  When she arrives, she meets Sosuke (Frankie Jonas), a vibrant and happy five year old boy who rescues her from a glass jar.  The fish licks the wound, healing it and binding her DNA with that of a human.  She begins to take on human characteristics, learning to speak and sprouting limbs.  All the while, her father (Liam Neeson) is keen on keeping her the way she is, and takes her back into the underwater realm.  She breaks free, and once liberated, unleashes the sea and makes her way back to Sosuke.

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TRAILER: Tron Legacy

Tron Legacy
Directed by: Joesph Kosinski
Written by: Adam Horowitz, Richard Jefferies, Edward Kitsis
Starring: Jeff Bridges, Gerrett Hedlund, Michael Sheen

Rumors were true, Tron Legacy will be a sequel to the 1982 film which was one of the first films to rely heavily on early forms of CGI. Only this time audiences will be able to enjoy the Tron world in CGI’s prime and new exploration into 3D technology. Producing the project is the original writer and director, but to write the project Disney has doing what it does best, using full corporate synergy by employing nearly the entire Lost staff. Directing the project is first time director Joesph Kosinski, who only has a few video came commercials to his name. But it makes sense, given a few of the motion capture images look like video game characters.

It’s safe to call it a cross between Star Trek and The Dark Knight trailers, the former for plot reasons, the latter for stylistic. There seems to be enough plot to keep the story up to pace with visually magnificent Tron world, which looks like it might be the best of 3D yet. Disney is clearly dedicating itself to take full advantage of the new technology, although it doesn’t see to want to take too many risks since every film so far has been a remake or sequel (sans Up, but those were pre-Avatar days). Overall, it looks exciting as hell, and seems to take itself pretty seriously. Continue reading

REVIEW: Alice in Wonderland

Alice in Wonderland
Directed by: Tim Burton
Written by: Linda Woolverton (screenplay) Lewis Carroll (books)
Starring: Mia Wasikowska, Johnny Depp, Helena Bonham Carter and Anne Hathaway

Burton, the genius imaginateer behind Beetlejuice, Edward Scissorhands and Sweeney Todd along with a list of other brilliant works, teams up for the eighth time with star Johnny Depp to recreate a classic childhood fantasy in the likes of their 2005 effort Charlie and the Chocolate Factory.

The story is more of a sequel than a remake, combining elements and characters from Lewis Carroll’s 19th century books Alice’s Adventures in Wonderland and Through the Looking-Glass. It starts with Alice, now 19 and soon to be wedded to a freckled face boy who suffers from digestion issues and happens to now own her dead father’s trading business. The trouble is Alice (Mia Wasikowska) has no intentions of marrying him or living a life where everything is decided for her. When asked to accept her fate of no longer being able to accept her fate, Alice rushes away and follows the white rabbit into a whole where she returns to Wonderland although not remembering having been there before.

In Wonderland Alice is told that she must rescue Wonderland from the Red Queen (Helena Bonham Carter) by slaying the Jabberwocky with the sword of the Red Queen’s sister, the White Queen (Anne Hathaway). With direction from many of the realm’s bizarre characters, including a delightfully peculiar Mad Hatter (Depp), Alice is taken on a journey where she and only she can decide the fate of herself and of Wonderland.

In other versions of Carroll’s story, the story and realm which he creates is more linked to our world, with commentary on villainous Victorian aristocracy, 19th century breakthroughs on philosophy of the self, self-absorption and even perhaps the sad end to world anglo-manifestation. Of course these messages are far above the heads of children, but make great observations for adult audiences. In Burton’s version, this dimension of the story is slightly written out in favor of a more Disney approved feministic theme about being able to make your own decisions and do what it right. It’s not total fluff though, and it’s written into the story quite nicely, with Alice’s real world reflecting her Wonderland world. Burton cleverly has characters in both worlds imitate each other and even mimics his scenes to draw the comparisons. Continue reading

BEST PICTURE NOMINEE: Up

Up
Directed by: Pete Docter
Written by: Pete Docter and Bob Petersen
Voiced by: Edward Asner, Christopher Plummer and Jordan Nagai

Pixar is now 9 for 10 (Cars being the DreamWorks-esque oddball). After previous bests Ratatouille and Wall-E, Up completes the trifecta for Pixar’s seemingly effortless creative machine.

Up’s plot takes off when young Carl Frederickson meets Ellie, a fire-cracker and adventurous girl that shares his interests. The two eventually fall in love and spend a lifetime together dreaming of going to South America and following their youthful spirits. But when life gets in the way, their dreams and plans are grounded. Seventy years later, after Ellie has died, Carl is forced to move to a retirement home and give up the home and life he built with his wife. Before they can take him away, he and his home fly away on the grand adventure the two always dreamed of. Continue reading