BEST PICTURE NOMINEE: District 9

District 9
Directed by: Neill Blomkamp
Written by: Neill Blomkamp and Terri Tatchell
Starring: Sharlto Copley and Jason Cope

The year 2009 has been a splendid year for sci-fi, with Cameron’s Avatar pushing the limits in film making technology as well as box office potential, Abram’s sleek and erogenous revival of Star Trek reaching wide commercial success, and the pyscho-thiller Moon grabbing newcomer director Duncan Jones some serious attention. It is safe to add to the list District 9, which happens to be the best of the bunch.

Originally, producer Peter Jackson had picked South African born Neill Blomkamp to make his directorial debut with an adaptation to the video game phenomenon Halo. But when financing put the project in development purgatory, Jackson gave Blomkamp the go ahead to make whatever film he wanted. Under one condition: a fraction of the budget.

District 9 comes from a mini-mokumentary made by Blomkamp when his career was still only Nike commercials and digital shorts. It’s all set in his own birthplace, Johannesburg, where there are townships, slums, heavy accents, and barbed wire fences that give the film a harsh and gritty setting.

Twenty years prior to modern time, a large space craft stalled above the city, unable to move. After humans entered the ship, they encountered something much different from the “light of heavens” interaction they were expecting. The aliens were diseased, famished and hopeless. So for twenty years, the government kept them isolated in a ghetto which experienced crime, discrimination and poverty. It is up to the world’s second largest weapons manufacturer, MNU, to relocate the “prawns” into a far-off concentration camp after humans can no longer take their burden. In charge of the evacuation is Wikus (Copley), a pencil pusher looking to prove his place, who begins to find himself split between the two worlds in a great chase for weapons and power that he barely understands.

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BEST PICTURE NOMINEE: Avatar

Avatar
Directed by: James Cameron
Written by: James Cameron
Starring: Sam Worthington, Zoe Saldana and Sigourney Weaver

Once upon a time, famed sci-fi director James Cameron made a little film known as Titanic. Made with a record $200 million, the picture earned a record $1.8 billion at the worldwide box office, won a record 11 Oscars (Ben-Hur and Return of the King are the only other two films to do this) and ignited the Leonardo DiCaprio and Kate Winslet to become the most sought after talent today.

That was over a decade ago. Now Cameron is back with another next big budget saga, to once again defend his self-claimed title as “King of the World.” Mission accomplished. The film has already broken most of Titanic’s records, earning a staggering $2.4 billion worldwide. And with critical praise, nine Oscar nominations, and his 3D technology reshaping the industry, it looks like Cameron may need an avatar of his own just to share his great success.

But records, innovations and box office aside, how does good is Avatar? Continue reading

BEST PICTURE NOMINEE: The Hurt Locker

Image courtesy of IGN

The Hurt Locker
Directed by: Kathryn Bigelow
Written by: Mark Boal
Starring: Jeremy Renner, Anthony Mackie and Ralph Fiennes

The Hurt Locker is that little military movie in the summer you didn’t see because you’d rather have watched Transformers 2 for the third and fourth time in a row. But I wouldn’t put myself on any pedestal, I didn’t see The Hurt Locker until it came out on DVD after garnering a plethora of critic groups awards and Golden Globe nominations, hoping the hype for Hurt was worth the watch. It is the movie against all odds, small budget in a big summer, female director in an industry run by men, an Iraqi war setting in the age of modern war movies being serious taboo, The Hurt Locker overcomes those obstacles, but not with the blast of fierce action as critics promise. Instead, it’s defused and delivered with a slow burning tension which is rare among war movies.

The film follows the reckless Staff Sgt. William James (Jeremy Renner) as he steps up to head a bomb squad unit serving in Baghdad. His unusual and ballsy methods are not only cause trouble for the squad, but often is responsible for their ability to overcome some of the great obstacles they face. Their journey is a journey with no destination of place, but that of time. Each day survived is one day closer to them returning to home to their wives and families. The plot appears to follow the conventions of a typical modern war film, but The Hurt Locker is far from that. Taking unexpected turns and leaving politics aside, director Katherine Bigelow explores deep into what makes these characters tick, sans all the standard patriotic “I love my country” bullshit.

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